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  1. The Northrop F-89 Scorpion is an all weather twin-engined interceptor designed and produced by the American aircraft manufacturer Northrop. It was the first jet powered aircraft to be designed for the Interceptor role from the outset to enter service,as well as the first combat aircraft to be armed with air-to-air nuclear weapons in the form of the unguided Genie rocket. First flew in 1948 and entered service in 1950. For this GB, I plan to build Revell’s 1/72 F-89D/J kit. I will be finishing it as the aircraft shown on the boxart, a F-89D from 61st Fighter Interceptor Squadron from Ernest Harmon AFB, New Foundland, 1957. Why this one? I like the look of the aircraft with the large wingtip rocket pods (containing a 104 ‘mighty mouse’ FFAR rockets) and more importantly it has a big smiley face on it.
  2. With the Jet provost done and the other activities out of the way, it’s time to get back in the saddle and do some more modelling. For a bit of a mojo boost, I watched Top Gun, Top Gun Maverick and The Final Countdown on DVD’s. So tonight, out came the Airfix F-14A Tomcat (blueprint box) and the Revell F-14D Super Tomcat from the stash - both 1/72. I’m going to try to build them both together stage by stage (rather than build one and then the other). The Revell is better in detail as it’s a much later kit, but the Airfix one still has a certain charm to it - even with the raised panel lines which I’ve decided to leave to see how it turns out. So, the first stage was to build the two cockpit tubs. The Airfix one is much longer then the Revell and both have raised detailing in the some consoles in roughly the same depth. The ejection seats are worlds apart in detail, so I might see if I can 3D print something a little more interesting for the Airfix kit. Otherwise the offices are fairly well detailed considering….. Both tubs were painted with Tamiya XF-19 Light Grey (as it’s what I had to hand) and are drying off. They will both receive other colours to highlight the consoles and IP’s. I’ve also bought an extra set of Airfix F-14A decals which offers two options - TopHatters and the Black Aces - to go with the Bounty Hunter and Grim Reaper options for the kits.
  3. Hi, Here's my Revell F-84E with Aeromaster decals. That 86th FBW must have been quite a sight, I hope to reproduce a little of that magic. After years of looking for the F-84E and only seeing F-84G's, I finally found several last year at a modelling festival and from an estate sale. The one from the estate sale (a modeller named Jean-Claude of the Amay Models Club) had a bit of work done on it. He removed what looks like external reinforcement plates around the Main Landing Gear wells. I've circled the areas in red on the picture below. The shape of the ones in front of the wells reminded me a bit of the compressibility flaps on late P-38's and I noticed that there was a stencil with quite a bit of text on them. Stencils 40 and 41 on the Revell kit sheet. Fearing that the stencil might mean "stay away from this flap!" I looked at it with a magnifier. The stencil is about electrical plugs. I plan to use Jean-Claude's lower wings on this build as this will be the earliest F-84E that I'd want to build and thus the best one to do without external reinforcements. Cheers, Stefan.
  4. Revell Chinook HC.Mk.1 1/48 Model kit by Jonathan Hughes, on Flickr Something of a departure from my normal builds, but one I’ve been promising to get done for a year or two for a friend who had the model sat under his desk in the office for about ten years and wondered if he’d ever find the courage (as a non-modeler) to tackle it; we’ve worked together for about twenty years, so I offered to build it for him. It will essentially be an out of the box build but with a few changes to decals to represent the first aircraft he worked on (so many) years ago. I was quite surprised to see that there were very few articles on the build of the Revell kit (a few of the Italeri version – which I think is the same kit) and hadn’t realised that the kit had become a little scarce. As I said, it’s a bit of a departure for me, as I usually build aeroplanes and in 1/72… so to tackle a 1/48 Helicopter (pronounced heli-co-peter) 😊 is putting me somewhat outside my comfort zone, but we’ll give it a go. I started with some kit familiarisation of the sprues and the instructions, and looking at where all the painting instructions were hidden. Ok, confession… I’m not much of a fan of Revell instructions, which seem a bit random and basic. I spent quite some time marking up the sheets with colour annotations, but realised that using the instructions alone was never going to tell me everything I needed to know. More of that to come. Anyway… the sprues A first look at sprues by Jonathan Hughes, on Flickr An article on the Italeri kit that I’d read about in Phoenix Aviation Modelling suggested the need to “droop” the rotor blades. I took a close look at the rotor blades on the sprue and noticed that these ones are least are pre-drooped. Poor photo but shows blade curvature (droop) by Jonathan Hughes, on Flickr I appreciate that when parked, the blades (or some of them at least) can look even more drooped that this. The day before IPMS SMW at Telford I meet up with some good mates at RAF Museum Cosford for a wander around (well… what else would you do?) and I took a good look at their HC.Mk.1 that they have (Bravo November)… including some studying of the rotor blades, and whilst the blades on the front rotor do exhibit more of a droop, they’re drooped at the root and not along the blade length. I’m no Chinook expert so I presume this is something to do with Parking of the blades… I’ll need to look at the photos I took when I get to this stage… but I was left with the impression of not needing to bend the blades at least. Another aspect that the article I’d read had left me with the impression of was that the overall fit of the model was less than ideal. To be honest, this is the first model I’ve made with both an inner and outer fuselage, so I was interested in doing a little test-fitting to see how all the parts went together, to see what I’d need to face later on. To be honest… “false alarm”… as having taped the inner sections together, I cocooned it in the outer shell and, despite some slight warping or the under-side, it seemed to go together “ok”…. Yes, a little disobedient along the top section, but some strong tape as glue dries will sort that (I hope). One impression I was left with was the “heft” that this model had. I’m not used to such large models or ones that are dual skinned… it was quite impressive. Inner and outer fuselage components taped together for fit check by Jonathan Hughes, on Flickr I was interested to see how much would be visible inside… always good to know; this test assembly helped the understanding. Looking to see what will be visible inside by Jonathan Hughes, on Flickr The glazing and nose cover were added and despite a few gaps, I hope these will be treatable with a little persuasion of the parts when them need to be glued. The glazing did have a few scratches, possibly due to having broken loose of its sprue when in the bag/box… so I spent an evening polishing these out. There are still a few imperfections, but these look to be in the material, so we’ll need to live with these. A little clamping and filler will hopefully sort these gaps by Jonathan Hughes, on Flickr This is the interior all taped up for the just-described test-fit. Interior fuselage components test fit by Jonathan Hughes, on Flickr So… getting back to the dearth of detail in the instructions, I’d spent some time searching for a useful book to refer to for this build. There really are not many books on the chinook. I found WWP Chinook In Detail and thought that it might help (yes it will) It’s a bit like the Danny Coremans “Daco” books that I use for reference in other builds, but getting a copy took some doing, what with it being out of print. Yes, a Japanese site said they had several copies… but that copies would be dispatched once in stock (suspicious!) so I eventually paid a little more from a UK second-hand book supplier and it arrived a few days later. This has interior and exterior details of US and UK examples, so has proven very useful. Useful reference by Jonathan Hughes, on Flickr With the photographic reference book in hand, I could start painting with a little more confidence. I started with the interior as this needed doing first (of course). I used Halfords primer on everything, then applied a few light coats of a light grey (matched to photos – noting that floor, panels and padded walls and roof are not all quite the same shade). I mixed some Tamiya grey shades with white to get the colour I sought… adding more white where it was needed. Once good and dry, I masked off the grey sections so that I could apply a dirty-black (a very dark grey) Floor painted and masked for "black" areas by Jonathan Hughes, on Flickr Once airbrushed some variations in tone, the floor was unmasked looking ok. Once hard, I applied a few light coats of Aqua Gloss to seal everything for weathering. Floor section black areas applied by Jonathan Hughes, on Flickr A similar approach was taken for the walls and ceiling, albeit with rear sections given a few coats of “interior green”, which I mixed using about 10 to 12 drops of yellow to 1 drop of black.. which with some experimentation seemed about right… mission models paints being used here. The seats had also been primed, and then given a light coat of Tamiya white… followed by a few light layers of Mission Models Insignia red. Once dry, I added a couple of coats of aqua gloss to seal it in, then painted the silver/grey sections by hand using Mig Ammo Bare Metal Matt Aluminium which went on with a small brush excellently. Finally, I made a few variations of light grey or hemp colour (using mission models paints) to brush-on the seat belts. Photos show these to be a bit of a mix of colours on any particular aircraft, so that’s what I did. The end result was sealed with some more aqua gloss and looked a bit “bright” but would tone-back a little with some weathering. Seats, painted by Jonathan Hughes, on Flickr On to that weathering I mentioned; I took an easy route of using Tamiya panel liner brushed on liberally and then wiped off… which worked ok. Weathering interior sections by Jonathan Hughes, on Flickr The bulkheads and cockpit panels that lacked transfers (overhead panel and cockpit entry sides) were all painted up (using photographic references). There are a few issues here as the kit parts are a bit “hybrid” in some areas – or rather nothing like any photos I could see… so some artistic licence was needed in places, but I think they look ok… given how much will be visible afterwards. Interior painted by Jonathan Hughes, on Flickr Cockpit and bulkhead sections by Jonathan Hughes, on Flickr Although not shown, I later painted in the details in the rear fuselage "green" sections, and transfers were added to the fuselage sides (prior to weathering) I assembled the cockpit and test-fitted the seats to just take a look. It was only after the cockpit panel transfers had been added and sealed with a matt coat that I noticed that the HSI colours are upside down… at least, I presume the aircraft isn’t flying through a brown sky over water… hmmm. But it was too late to rectify that. Thanks, Revell. Before everything was assembled, I applied a unifying flat coat to everything. I don’t usually do anything flatter than semi-gloss (or satin) coats for exteriors, but for interiors, especially where there’s lots of soft coverings such as the insulation on the walls and seats) a flat coat seemed to be better. This tones everything back a bit and worked quite well for the interior floor, walls and ceiling. I’d do the same for the ramp later in the build. Cockpit assembled and seats test-fit by Jonathan Hughes, on Flickr Front section fwd-view by Jonathan Hughes, on Flickr Realising that before I could close the interior and exterior fuselage, I’d need to assemble the rear ramp… and thus paint it too. The kit provides for this to be fitted early in build, and has two brackets to attach it to the rear of the floor section. So, I assembled the rear ramp sections as shown. Now… here I have a bit of a gripe with the kit as the attachment brackets are angled and you need to take care which way they’re attached. Here’s where I feel-down a bit. Following the instructions, I added them one way… and when doing a test fit with the fuselage, found that the whole ramp sat a bit low… with a big step-up to the cabin floor level (which could not have been right). I looked at the instructions again … no, that’ the way the brackets are shown attaching… look at a later step in the instructions and it shows them the other way up. It’s not the part flipped… the brackets are reversed. So. I opened the ramp up and managed to remove the brackets and added them the other way up... packing them out a bit with plasticard to strengthen the whole thing. Initial ramp assembly by Jonathan Hughes, on Flickr When I then tried to fit these, I found that it would not close-up properly at all, I was a bit peeved! Having slept on it, I decided to go for a different approach and make some forks that could slot into the rear fuselage once complete... and thus not need to be fitted until final assembly (much easier) I disassembled the rear ramp.. which took a little doing Ramp disassembly and bracket removal by Jonathan Hughes, on Flickr I then made the two forks from four laminates of plasticard, and cut a wedge from each end so that the fork would be angled forward of the ramp, to allow a dropped angle for the ramp at the end. The reinforcing just beefed up the structure given that it would now be a separate part. Shown on test fit (for test fitting to the fuselage) and after gluing Revised fitting for ramp... test fit by Jonathan Hughes, on Flickr Fettling the ramp to work with attachment "forks" by Jonathan Hughes, on Flickr In the latter photo above, the two chamfers are evident in the outer shell, allowing the forks to sit close to the outer skin once assembled. The ramp was assembled, some details added with a pin-vice and Rosie-Rivetter and primed. A shade of grey similar to the interior was added (as close as I could get it) and then this was masked for the back sections. Masked and black areas applied to ramps by Jonathan Hughes, on Flickr Notable in the above shot are the two ramp sections that sit atop (or down from) the main ramp. To sit these parts flush on the main ramp, they were sanded flat on their undersides. Once finished, these will just sit on top of the main ramp... ready for use if needed. Once finished and weathered, the ramp looked ok. The upper clamshell section for the rear fuselage opening sits inside the ramp when open; it is visible sticking-out of the main ramp here. Ramp completed, with weathering by Jonathan Hughes, on Flickr That was 2023… it’s now 2024… so back to it. Happy New Year all. The seats were glued in place and I set about taping up the fuselage interior sections for gluing. Interior assembly stage by Jonathan Hughes, on Flickr I used plenty of masking tape to hold it all together then glued everything using Tamiya thin. Once dry, I beefed this up with my sprue-goo mix (Tamiya thin and sprues) along the seams. Interior taped up whilst glue dries #1 by Jonathan Hughes, on Flickr Interior taped up whilst glue dries #2 by Jonathan Hughes, on Flickr One thing that may be noticeable from that last photo is that there’s a gap between the rear undercarriage bay plate and the fuselage walls… I therefore cut out a couple of sections of plasticard and glued these into the gap, using tape again to hold it all together. Added "packing" to rear undercarriage bay assembly by Jonathan Hughes, on Flickr Whilst all of the glue was drying overnight, I wrapped the outer fuselage sections around the outside, to keep everything true or square whilst it set hard. That gap by the rear undercarriage part being very evident here (prior to fixing) Outer fuselage added to keep interior "square" by Jonathan Hughes, on Flickr And finally…. after a good 24 hours, all tape was removed and some final check made. I re-clamped the rear section and added some more glue, along with some more sprue-goo to bolster the grip, and then used this on all slightly open seams (although they’ll all be covered by the outer skin once added. Final clamping and glue and some sprue goo. by Jonathan Hughes, on Flickr So that’s it for now. Not my normal type of build but another case of learning as I go. Thanks for reading… Jonathan.
  5. Hi all, Here’s my entry for the GB, it’s the Revell 1/48 Beaufighter TF.X. It will be in the markings of 144 Squadron based at RAF Dallachy in 1945. This aircraft (NE831) was damaged in the disastrous Black Friday raid on the 9th February 1945 when 9 Beaus were lost to flak and fighters during a raid on Norway. She ended the day with a belly landing back at Dallachy and never flew again. Fortunately there are a lot of photos of this aircraft showing some interesting variations and weathering of the finish which should make for a satisfying modelling challenge! The markings will come from Aviaeology, in addition I have an Eduard etched set, the Aerocraft cowling correction plus a stack of bits taken from an old Tamiya kit that recently went to the scrapyard. So far I’ve cleaned the parts up and got rid of some of the flash. More updates to follow in due course! Chris
  6. My entry for the group build will be Revell's 1/48 F-84E, and as the title suggests, the markings I decided on are the colorful markings for Col. Robert Scott's thunderjet he flew when he took command of the 36th Fighter Bomber Wing in Furstenfeldbruck, Germany in 1951. Scott gained fame as the highest scoring ace of the CBI theater in WWII with 10 kills. As the commander of the brand new 23rd FG, he flew hand-me-down AVG P-40s adorned with leftover Flying Tiger decals, so when he was assigned F-84E-10-RE 49-2299 as his personal aircraft with the 36th FBW, he figured it appropriate to pay homage to his WWII days and applied several Flying Tiger motifs to the aircraft. Decals are from an excellent Cutting Edge sheet, although the national insignia and stenciling will need to come from elsewhere, likely a newer boxing of a Revell F-84G in the stash since the decals in the E box have started to yellow. The only AM I plan to add at the moment is a resin seat from Quickboost.
  7. Hi All, Here is my effort on the ICM kit but Revell boxing of the Gloster Gladiator an absolute joy to put together even if the instructions would have you put the lower instrument panel on the rear bulkhead! Only aftermarket used is the seat belts although a decal is supplied in the boxing. I have rigged this one in "stretchy beading thread" bought of off ebay and very cheap compared to the "modelling" alternatives. The lower upper wing had the holes drilled and the treads were super glued into them and left to fully harden . The inner fuselage strut holes were drilled right through the top mainplane and those wires glued into the fuselage. The lower wing holes were drilled right through and once the upper wing was attached I pulled the wires through, tensioned them and held in position with tape. when all were secured I then glued each wire to the wing and trimmed the excess off. I found this method worked very well using this 0.4 mm beading thread. paints used were from Mr Hobby Aqueous , Revell Aqua and Tamiya acrylics first time I've used the Pledge alternative to Klear as a decal setting solution and found it works fine but is not so aggressive to the decals as Klear. I can fully recommend this ICM kit only downside I missed getting another for £25 in the Jadlam spring sale they are now out of stock! Looks like I need to trim that aerial wire! MODeller
  8. Phew, broke my duck for 2024. I was very pleased to finish this one, not least because it was an xmas present from my Dad. The kit was pre-owned and included quite a lot of aftermarket – the Ali Cat canopy set, Quickboost propeller and exhausts and the Master brass gun barrels set (this being particularly appreciated as the forward-firing MG17 in the kit seems to be a 30mm upgrade from the diameter of the barrel). I had another beef with the kit, in that it seems to be designed to be built with the wings folded and all the engine panels open... as a result the wings seem to be lacking the wing-root fillet at the top if you build them unfolded (it could have been me, but I couldn't find any such part or any part that looked like it might fit the bill) and the engine cowling panels don't fit at all well if closed up. Still, I made it in the end and as it's unlikely anyone else will produce an injection-moulded Ar 196A then you either build this one or you don't build any. I did add the HGW resin seat and fabric seatbelt set, and the Quinta instruments sets, as the kit's moulded seat belts weren't all that impressive and there were no decals for the instrument panel. The model was finished in the Maritime Scheme, with Colourcoats ACLW04 - Grun RLM 72 & ACLW05 - Grun RLM 73 over ACLW03 - Hellblau RLM 65, with the interior in ACLW12 - RLM Grau RLM 02, the propeller blades in ACLW02 – Schwarzgrun RLM70 and the bombs in ACLW11 - Dunkelgrun RLM71. Detail painting was mostly Vallejo acrylics with Tamiya Clear Red and Green for the navigation lights. I used the kit transfers, they were good but I did ditch the large stencilled laurel wreath marking which commemorated 100 catapult launches from Tirpitz – I didn't like the way it was sprayed over the hand-hold ropes and there must have been a time when it didn't have that marking applied (the first 99 launches, for example). I finished it with a mix of satin and matt varnishes, it still came out shinier than I expected but them's the breaks. Thanks for your patience, apologies for the verbiage Cheers, Stew
  9. This was a problem child of mine. Not because the kit is bad ... it is actually a pretty well made kit with a huge potential for detailing. I got it on sale to add to my already too high stack of racing cars. When I finally started it about 5 years ago, I ran into a lot of troubles, mostly of my own making. I had bad luck with a few race carkits over the last years, someone must have put some bad voodoo on me. So, the car went half build into the closet (together with a few others). As I always was feeling bad for not having finished it whenever I saw the box (always), I manned up and finished it as a quick "weekend build" without any details or attention to parts you anyhow hardly see. So, not my best work, but finally complete and out of the closet and out of my mind 🏁 Thanks for looking, any comments welcome. Cheers here are my other racing models: https://photos.app.goo.gl/3R7EApxULTfrgsPu6
  10. Afternoon all, Latest completion from me - Revell’s 1/144th scale Boeing 747-400 with DrawDecal’s British Airways decals. It’s been built out of the box, other than my usual mod to these kits in adding some height on the cockpit crown area with some Milliput to correct the profile. Although it’s getting a little long in the tooth now, the kit still builds reasonably well once excess flash is removed! I was really sad when BA retired the 747 - not only is it one of my favourite commercial aircraft but I’d flown on them more than any other type and thought I’d do my own little tribute to ‘The Queen of the Skies’. The real thing was my last 747 flight when she brought me back from Australia once… the ‘Kangaroo Route’ is now 777 or 787 and it’s not quite the same. Long live the Queen! All the best, Tom
  11. Few months ago, i started to built this seaplane, one of my favorite. I used all Eduard photoetch kits. Arado 196 B-0: Pre-series with central float, 5 aircrafts delivered at the end of 1938 for evaluation by coastal reconnaissance units, 10 in total built. I began by the BMW engine. Wiki: The BMW 132 is a radial aircraft engine, which was produced by BMW from 1933 onwards. It was the German version of the American Pratt & Whitney R-1690 Hornet. On January 3, 1928, BMW bought the manufacturing license for the Pratt & Whitney nine-cylinder air-cooled radial engine. The manufacture started with an almost unchanged version, called BMW Hornet. Soon, BMW began to develop its own version. The result was the BMW 132, an improved version whose production began in 1933. It was built in many different versions. In addition to the carburettor versions used mainly in civil aviation, versions with direct fuel injection were produced for the air force created by the National Socialist regime, the Luftwaffe. The BMW 132 was widely used to power transport aircraft. Thus, it was the main engine of the Junkers Ju 52 for most of its career, making the BMW 132 one of the most important engines for civil aircraft during the 1930s. Many aeronautical feats were accomplished with the BMW 132. The most impressive performance was the first direct flight between Berlin and New York, made on August 10, 1938 by a four-engine Focke-Wulf Fw 200 S-1 Condor. This aircraft linked the two cities in 24 hours and 57 minutes non-stop. Aircraft equipped with this engine: Arado Ar 196 Arado Ar 197 Blohm & Voss Ha 137 Blohm & Voss Ha 140 Blohm & Voss BV 142 Dornier Do 17P Fieseler Fi 98 Focke-Wulf Fw 62 Focke-Wulf Fw 200 Condor Gotha Go 244 Heinkel He 114 Heinkel He 115 Henschel Hs 123 Henschel Hs 124 Junkers Ju 160 Junkers Ju 52 Junkers Ju 90 Junkers W 34
  12. Hi guys, my first kit finished this year, and my first post here on Britmodeller. This is a Revell kit with some scratches to make it look more like the real thing. I will explain each of these changes better in the photos below. For the paint, I found a lot of paint schemes for these shelters, so I took one from reference and make only a few changes. The Kit: Revell 1/72 Shelter and ground plate I thought the dome was not very stable so as a first step I reinforced it. There were many ejection marks as well to cover. The shape of the kit is very far from the real thing, so I superimposed a photo of the piece in photoshop with the photo of the real shelter, printed it out and used it as a template to make a new facade with a 5mm sheet of styrene. The dome of the shelter is warped so it was necessary to hold it in shape with tape. I tried soaking it in hot water to get the right shape, but I wasn't successful. The solution I found was to put some nails in the base to hold the dome in the right shape. The kit is very poor in details, so I wanted to do some to make it more interesting. Scribbed some panel lines scratch those boxes added some wires and some interior stuff for the front lowering I used zipaline and kombifiller for the painting I made a mixture of paints to try to match the tone of the reference photos
  13. My first builds for this GB. These are both based on the old 1967 tooling, updated in 1982 to cover the P-70 night fighter. As I wanted to build both, and they have 90% commonality, it makes sense to have just the one build thread. I bought both of these kits in 1996 a few weeks apart, probably in different cities. Combined cost: < 10 Irish Pounds (c. 12.70 Euro in today's money). The P-70 is in a Matchbox box, which in those days was just another way of selling any mold owned by Revell. Because I dislike painting black on black plastic, I have swapped around most of the parts. The basic tooling includes the drill-out holes for the P-70 ventral gun pack, and for the dipole aerials on the port wing. There is one missing main undercarriage door (easy to replace), and one missing tiny oval side window (Clearfix to the rescue). I have nothing fancy planned for either kit. The bomber kit has the option to build a USAAF A-20C, but the SAAF Boston III was always my first choice.
  14. Aston Martin DB5 007 Goldfinger (05653) Easy-Click System 1:24 Carrera Revell Aston Martin’s Grand Tourer, the DB5 rose to prominence above almost anything they had produced to that date or since, when it won a starring role in the James Bond film Goldfinger, driven by Sean Connery as the eponymous hero, fitted with guns, oil-slick dispensers, bullet-screen and an ejector seat to name but a few of the gadgets used. Like all of Jimmy’s cars, it ended up in a tangled heap, crashed into a building, and JB in the hands of the bad guys, which is a surprisingly common outcome for such a supposedly accomplished spy, although he always manages to escape. Developed from its predecessor the DB4, the DB5 was so named after the owner of the company David Brown. The engine was a light-weight aluminium straight-six block with three carburettors that propelled it to over 140mph thanks to its 280bhp output that was sent to the rear wheels via a 5-speed gearbox that was bought in from a third-party to solve previous problems that their home-grown box had encountered, although a four-speed box was used in early editions. It was also available with a 3-speed automatic box, but who’d want that unless they had leg issues? Like modern Astons, it was lavishly appointed, with leather trim, thick luxurious carpeting, and traditional chrome wire-wheels with knock-on/off nuts. The magnesium alloy body had two doors, and could seat two comfortably, with additional space for children or adults with no legs, and luggage in the boot. It was initially launched in 1963, and the production run included a small number of custom-built cabriolets, some of which had more powerful Vantage engines, and at the very end of production some were kitted out with the upcoming DB6’s engine. During its last year of production in 1965 they released the Vantage option with an extra 40+bhp of power squeezed out of the engine thanks to improved carburettors and more aggressively profiled camshafts, with only 65 being made before the DB6 replaced it in their line-up. The DB6 was an evolution of its forerunner, with improved aerodynamics and luxury, developing into a closer representation of the later DB series cars that we’re probably familiar with from our childhood and beyond. The Kit This is a new tool Easy-Click System kit from Revell, designed to be built by novices or experts alike, requiring no glue unless you feel the urge, and including a set of five thumb-pots of acrylic paint and a two-ended paint brush. You also receive a folded A3 poster of the box art without the trappings required for the packaging, which you can hang on the wall if you wish. Inside the end-opening box are four sprues in black styrene, three sprues and the bodyshell in muted silver, one in dark grey, two chromed sprues, a clear sprue, four flexible black tyres, decal sheet, sticker sheet, and instruction booklet that is printed in colour, and has the painting and markings guide on the rear pages. Though this is a snap-together kit and comes with both decals or stickers for the younger audience, detail is good for a kerbside model, and it includes some of the gadgets that Mr Connery used in the movie, such as the bullet-screen, ejection seat opening in the roof, and the extendible axles that tore the side out of the baddie’s car during a frenetic chase. Construction begins with the floor pan, which has a silver insert that depicts the underside of the engine and transmission using two parts, over which the suspension struts are added, pivoting the front axles with moulded-in brake disks and their connecting arm, then layering a sub-frame over it before moving on to the rear axle. The back axle is bulked out with an insert in the centre that creates the differential housing, fitting suspension struts and dampers into the rear of the floor pan. The twin down-pipes from the engine are placed side-by-side along the centre of the floor pan, then attention turns to the interior. The front seats are each made from an L-shaped part with pencil quilting that has a rear panel inserted, while the dashboard has the steering column and wheel inserted into the right side, adding eight decals or stickers to the dials, and another to the centre of the steering wheel and centre console. The interior floor is a grey part that receives the rest of the internal assemblies, starting with the gear stick, which has a choice of standard or 007 variants with the cap open displaying the red button. A choice of centre armrest with alternative open rest that has gadget buttons in it is made next, then the driver’s foot pedals are snapped into the right footwell, popping the front and rear seats in behind. The door cards are both fitted with inner handle, while the driver’s side has another secret pocket that can be fitted open to display more gadgets. They have a decal applied, and are clipped into the sides of the floor, held vertically by the dash that is installed at the same time. The completed interior is inserted into the bodyshell after adding a rear-view mirror above the windscreen, and if you’re going for realism, there are quite a few ejection-pin marks around the perimeter of the roof liner that you may wish to hide with filler. A black inner wheel well insert is added forward of the interior while the body is inverted, and at the rear, three clear lenses are clipped into the corners to create the light clusters, painting the lenses the appropriate clear colour. Naturally, there are alternate bottom lenses depicted flipped open to display the barrels of the rear machine guns. The front and rear number plate holders are built with a rotating prism held inside a frame, adding the bumper and boot handle at the rear, plus slide-out over-riders that are held in place by a pair of washers inside. The front bumper is installed after the bodyshell and floor pan are mated, fitting a front valance to the rear of the bumper, and adding the same kind of slide-out over-riders either side of the rotating number plate holder before fixing them under the front of the vehicle, and slotting the distinctive chromed Aston Martin grille into the centre. Side lights or machine guns are fitted into the front wings, and the headlight lenses are too, once the inner lens and chromed reflector are fixed into the recess. The wheel hubs are built from three layers, the rear of the hub in black, and the wire wheels in chrome, trapping a top-hat washer in the centre that friction-fits on the axles. The flexible tyres are slipped over the hubs and attached to the model, one per corner as you’d expect. The windscreen is carefully inserted from outside, helping it along by inserting your index finger (other fingers are available) through the ejection seat hatch to ensure it doesn’t fall inside. The rear screen can be inserted similarly, adding the side windows from the outside. It’s worth noting that the side windows are supplied as a single part, including both the door window and the quarter-light, and locating on a pair of tabs that clip into the sills of the bodyshell. External chromed door handles and the wing detail inserts are applied to the exterior side, and you have a choice of installing standard knock-off wheel nuts, or the 007 weaponised versions that project from the centre of the wheel on a tubular support, by using different chromed parts. More chromed parts follow, including the aerial base, a pair of windscreen wipers, and wing mirrors, not forgetting the hatch through which your unfortunate front seat passenger would be ejected should the need arise. You can pose it closed by using the part, or leave it off to show off the interior better. The last standard parts are the twin exhausts that have the back box moulded in, clipping to the end of the down-pipes under the body. The 007 specific gear is finalised by sliding the bullet screen behind the rear window, which slots into the rear bodywork, and can be fitted with a decal or sticker that portrays some bullet damage for a little movie frivolity. Next to the exhausts, a black tube is inserted into a hole in the valance, and if memory serves, this is the oil dispenser. It’s a while since I’ve seen Goldfinger. Markings This is a special edition, so there is only one option on the decal sheet, although there are alternative number plate options for those rotating plate holders. From the box you can build the following: Decals are by Cartograf, which is a guarantee of good registration, sharpness and colour density, with a thin gloss carrier film cut close to the printed areas. It’s not clear who printed the stickers, but they seem well-done and fit for purpose. Conclusion Sean Connery played a colder and cooler Bond (controversial!) than his replacement, and the DB5 cemented its place in motoring and movie history by appearing in Goldfinger. It’s a good-looking model of the car, and should provide some fun for the novice and expert alike, choosing which of the gadgets to deploy on your model. Highly recommended. Carrera Revell model kits are available from all good toy and model retailers. For further information visit or
  15. Just a placeholder for the Piper PA-48 Enforcer I'm planning to build for the GB. Although not a true Mustang, this has been approved by Patrice @TEMPESTMK5 and will be the Halberd Models resin conversion for the Revell P-51D-15-NA kit in 1/32. Looking forward to starting but modelling opportunities are few and far between these days 😢 See you all back here at the weekend! Cheers, Alan
  16. Having just started one build in the WWII Twins GB, why not start another one here? I'll be building a Luftwaffe-operated F-104G 23+92, construction number 683D-8102, in the colors of JaboG 34, out of this Revell kit (currently OOB, no extras.) According to 916-Starfighter.de this plane had its first flight on May 30, 1963 so it should be good to go. /Jari
  17. It's that time of year again when I find all sorts of new projects making their way towards the workbench...! I know I have plenty on the go already, but most of these are awaiting paint which requires better weather - I spray outdoors and need warmer, drier conditions. As @Paulaero will understand, these other models are generally at least 95% built, which qualifies me to start on something new in the meantime! 😁 This build is partly a new challenge and a bit of repetition too. The new bit is refurbishing one of my older models and this will form the bulk of this thread. The repetition part is concurrently building two untouched Revell 767-300 kits, which I did here a couple of years ago and I don't see any point in documenting it here again! However, these kits will throw up a few challenges along the way (more on this when I get to those parts!), hence their inclusion into this thread. Let's start with the model to be refurbished. I would guess that I built it around 20 years ago, when my modelling skill set was rather more limited than it is now. It is the Revell 767-300, with RR engines and built to depict G-BNWA which I flew regularly at back in 2003. The model has been in the attic for years and I think it must have been dropped at some point too - luckily I still have most of the pieces: It's certainly been neglected and the attic did it no favours - it's covered in grime: The refurbishment will consist of the following tasks- 1. Open the fuselage up and fill the windows with Milliput 2. Removal of the damaged undercarriage and rebuild the model with the gear doors closed 3. Replacement of the missing windscreen (the only piece that I cannot find!) 4. Removal of the old paint and re-spraying with an accurate demarcation line and correct shade of blue 5. Production of custom decals to give the model a new identity To complete this introduction, the other two models in this build were purchased cheaply but with a few pieces missing. More importantly though, they both have the sprues for the RR engine option, so these will be built as BA aircraft. Here are the sprues: And another shot, showing the first task completed - Milliput is applied: It is well past its 'use by' date and quite dry and crumbly, but perfectly good enough for this job!
  18. My wife bought this somewhat vintage injection moulded plastic Revell 1:225 scale HMS Victory kit for me at Christmas about ten years ago. Scalemates have the 1st iteration of this kit dated at 1958, but because the date the moulds were made is moulded into the poop deck, I can state it’s actually 1959! It took some careful work with a blade to remove the manufacturers raised name and date from the deck before assembly. My kit was a Battle of Trafalgar Bicentennial 2006 boxing. Scalemates also claim the original scale is 1:146 and not the 1:225 stated on the Bicentennial box, but as has been pointed out in the kind responses below, this is incorrect and a 1:225 scale is most likely. The present was only a last minute stocking filler really, which my wife expected would end up at the charity shop because as a lifelong landlubber who’s main interest is aviation I typically make aircraft models. What she didn’t know is my dear old mum, the other important woman in my life bought me the Airfix kit of Victory for Christmas back in around 1967 when I was - to use Royal Navy 18th Century vernacular - a “nipper” of 10 - 11 years old. From memory, mum’s present along with the dining table, ended up a glue and paint smeared hulk with no attempt made to reproduce the miles of rigging. So despite my better half’s assumption, I decided to keep the kit and try to make a better job of Victory in memory of my late mother. However the kit remained stashed for years until Covid hit, when I started building it for something to do during lock down. As a lad I can remember being awed by the shipwright’s models I saw at the National Maritime Museum in London and truthfully what I’ve tried to create is a facsimile of a shipwright’s model, rather than a scale model of the real thing. I started out trying to keep as close as possible to the original Trafalgar colour scheme recently identified at the start of her most recent refit. I recall that many of the sailing ship models in the NMM did not have sails fitted, so I’ve made no attempt to model these. I realised early on that the finished model would be damage prone and also a powerful dust magnet, so once the rigging was well underway I constructed a custom acrylic and oak display cabinet for her. This includes a 2 cm diameter lapel pin copy of the her modern day ship’s badge and six small silver plaques engraved with all of Victory’s battle honours mounted at the front edge of the cabinet’s oak plinth. The latter were engraved at my local Timpson’s store. After the photographs you’ll find a bit more info on the build and some links to my previous posts in Work in Progress - Maritime. I hope you like her, warts and all, and no, I will not be building a “proper” wooden ship model from scratch anytime soon because I couldn’t afford the inevitable divorce settlement. During this voyage of discovery I’ve learnt a lot about 17th-18th Century sailing ships that I didn’t know previously and quite a few new construction techniques, such as making the clear acrylic display case to protect the finished model from dust and recreating the many deck mounted hammock racks out of an old Sainsbury’s supermarket loose veg netting bag! In my first build thread posted in Work in Progress - Maritime you’ll see that the hull came together fairly quickly during 2020, but stalled after I first attempted the rigging. In the beginning I reproduced all of the shroud lines individually using black elastic thread and attached these between the masts and the moulded on dead-eyes using jewellers adhesive. The adhesive worked, but took several minutes to cure sufficiently to hold firmly in place. I lost count of the number of times that the shrouds kept pinging off and needed re-glueing due to my impatience. When I’d finally got them all in place, I then realised that recreating the ratlines on the elastic shrouds was going to be an even greater challenge because when thinner elastic cord ratlines were glued across the shrouds they distorted and the process was also really tedious, I gave up halfway up one side of the lower main mast shrouds and literally put the now rather sad looking model on a shelf, where it sat gathering dust until 2023. My daughter and son in law bought me the Revell 1:700 HMS Invincible kit for my birthday in 2023 and I completed her last September. This put me in a nautical frame of mind again, so I decided to try finishing Victory off as a winter 2023-24 project and started build thread part 2 over in Work in progress -Maritime. So if you want to find out exactly how I reworked the shrouds and ratlines, do take a look. I’d downloaded detailed rigging plans for the JoTika large scale wooden model of Victory from the Jotika website and used these as the basis for this smaller scale model, but I also got a lot of kind help and suggestions from several more experienced Britmodeller salty sea dogs. I’ve tried to recreate as much as possible of the fixed and running rigging, but getting the right diameter elastic line at this scale remained problematic and I wasn’t able to do all the rigging because I started too late on in the build for easy access to some parts of the model. The end result is therefore by no means a fully accurate scale representation of HMS Victory, although I’d claim it’s currently in better shape than the real McCoy which is undergoing a multimillion pound refit and currently sans masts. Where I attempted to model some of the wooden blocks, I used various cut sections of plastic rod and compressed paper earbud shafts. The shrouds and some of the stays are still too thick and most of the other lines are to thin, but this is because I elected to use elastic thread throughout to prevent distortion of the kit’s thinner plastic parts. Also, all rigging lines are depicted under tension, when I suspect many would have some slack in them. However, taught though she is, I hope I’ve captured the essence of what was in her time one of the most complex man made moving objects on the planet and she’s turned out to be a really interesting and historical display piece for our living room bay window.
  19. I should go with the flow and start a WIP for the next project. It will be a learning exercise for me in the use of chipping fluid and as Tex's plane was down to the skin it seems a good subject. So this is the old Revell model. Casey Paint has been mixed (thanks @Casey!). And more Titanium White has been bought (a big bottle this time!) Interesting wood effects on the cockpit floor... And the first trip to the spray booth. I'm aware of the godawful canopy so a mask set has been acquired and some spray masks for the US insignia as I imagine they will be as weathered as the rest of the plane and I'm not sure if you can weather decals.
  20. I built this from the Revell F&F boxing 'Dom's Charger'. I must admit to only having seen the first film in the F&F series..... It's really not my thing 🙂 although, I do love some of the cars! The kit parts do not include a rear seat, luckily one was donated by a fellow modeller through FB. I did some detailing in the engine bay, spent quite a bit of time thinning the supercharger drive belt down to a more appropriate thickness. Wheels were swapped out for Pegasus T's in the big 'n' little style. If you look carefully, you can just make out the ignition key in the steering column! Paint is Mr Hobby GX Deep Clear Red over their gold base, followed by several coats of GX112 UV cut gloss clear. The front grille part had damaged chrome so I elected to strip the kit chrome and use Molotow through my airbrush.
  21. After my last build took 2 years on and off, the heavily modified Airfix Wallace and Grommit motorbike and sidecar. I decided I needed to detox by building a kit in a day... The Airfix Mary Rose, which I did indeed finish in one day. After riding the high of actually finishing a complete kit in such little time, I felt my mojo has been somewhat restored for now and have embarked on my second kit in as many weeks. This was a gift from my wife on my latest birthday, she bought me this because I wouldn't let her have a real one to learn in, so have been tasked to build it to her specification. Hopefully this will take less than 2 years to build, so I am not going mad with the details to help with a fairly speedy completion. Cheers, Andy.
  22. Mustang Mach 1 007 (05664) 1:25 Carrera Revell Ford’s Pony Car was first introduced in 1964, and immediately struck a chord with the American car-buying public, claiming a place in motoring history as it did so. By the time the 1971 edition came about, there had already been a series of annual redesigns as was common back then, when cars were substantially less technologically challenging and safety-conscious than they are now. The aggressive styling had been toned down a little, and the chassis kept getting longer with three main body styles available, including hardtop, convertible and fastback, although the latter was unimaginatively called the Sports Roof at the time. There were three basic trim levels, plus the Mach 1, which was the sports model with two-tone paint and fancy striping, plus ducts in the bonnet to appeal to the petrol heads of America, of which there were many then, and are now. The Boss 351 followed the Mach 1, tricked out with grille-mounted fog-lights, additional spoilers front and rear, different twin tail pipes, chrome bumpers, and blacked out bonnet with tie-downs to give it a more racing look. Coupled with the sloping rear of the Sports Roof, these cars were a huge draw to those with a bulging wallet, but the vehicle’s emissions were such that it was short-lived as it stood, and the later 351 was dropped the following year due to the more draconian emissions regulations that were putting the brakes on oversized cars with immense engines under the bonnet, and while petrol prices were also starting to climb, America still had it pretty good when compared to other countries at the time. Although the Boss 351 variant ended, the Mach 1 name continued with the new design that was introduced in 1974, even though everything was comparatively smaller and more economical after the excesses of the early 70s. The Kit This is a reboxing of as 2022 tooling from Revell, and I originally questioned the choice of 1:25 scale, although I suspected that it might be a more popular scale in the US, and let’s face it, that’s where many of the kits will be heading. The kit is themed for Revell’s recent release of a host of James Bond themed vehicle kits they have marketed recently, and this beast was seen in the film Diamond are Forever, with Sean Connery at the controls of Tiffany Case’s red Mach 1 in a chase through the streets of Las Vegas, sometimes on fewer than four wheels. It arrives in an end-opening box with a painting of the car with a Las Vegas backdrop on the front, showing off the poster that is supplied (not pictured), plus reminding us of the fact that it is an official Ford product by way of a holographic sticker in the bottom centre. Inside the box are eight sprues and a bodyshell in white styrene, two chromed white sprues, four flexible black tyres with white sidewall stripes pre-applied, a clear sprue, decal sheet, the instruction booklet in A4(ish) portrait form that is printed in colour, and with a safety sheet folded up inside, just in case your common sense has temporarily deserted you. Detail is good, with modern aspects to the tooling, which has been moulded for Revell by (or in) Dongguan in China, as evidenced by black printing near the raised Revell 2022 copyright details in the boot/trunk areas. Construction begins with the engine, which is a little different than the original issue, starting with the two-part block and transmission assembly, which has the sump and two layers of ancillaries added to the front, then the two four-piston cylinder heads with their oil filler caps that form the V that gives the V8 its name, installing the two manifolds and more ancillaries along the sides. The fan belt with its mountings are put together separately and have the new seven-bladed fan fixed to the front before it is joined to the front of the engine along with the air intake pathways, carburettor and the distributor that nestle in between the piston banks. There are thirteen decals applied to various locations during the building of the engine, adding extra realism to the assembly, then the lower hose that leads to the radiator is inserted low down at the front of the motor. The dashboard is well-moulded, with recessed dials and raised bezels that are enhanced by applying ten decals if you include the two on the steering wheel, which is mounted on a short column with integral indicator stalks, with detail painting called out along the way, which is also the case for the rest of the build process. The front seats are each made from front and rear halves, and you have decals for the contrasting material inserts either side of the quilted cushions in black. The centre console has a T-shaped gear selector and its gaiter inserted into the front, and there are three decals applied here too, painting the moulded-in rear seats as the front seats and centre console are installed in the floor pan, all of which don’t have seatbelts although decals are found on the sheet, but it does have four foot pedals on a carrier glued into the left side of the kick panel. The door cards are detail painted and have two wood-grain decals plus a silver trim decal applied on each one so that they can be fitted to the sides of the floor pan and create the complete interior with the addition of the dashboard that gets yet another decal in the left corner that appears to be the US equivalent of the British VIN number. So far we have an engine and an interior, but not much car to go around it. That changes when the firewall is trimmed to add a pair of recesses on the top edge, and has the brake master cylinder fitted to it, then is detail painted before it is put to the side for a moment. The underside of the car is well-detailed on the exterior, and has the sub-frame mounted on two coil springs in the front, then the front axle with all its steering and suspension parts moulded into it is overlaid, after which the underside is flipped over to install the firewall after checking that you have removed the cross-brace piece of sprue in the transmission tunnel before you started. A couple more ancillaries are added in the engine bay, then the engine is lowered into the bay, sliding the transmission through the firewall and mounting it on its cradle in the centre, just like the real thing. With the glue cured, the chassis is flipped onto its back again to install the twin downpipes that each mate to their own muffler that plugs into some large turrets under the body. Two shocks and an anti-roll bar are glued into the rear axle space before the exhaust pipes are inserted into slots in the back of the mufflers, then the leaf-springs are fixed across the rear axle, which also has its differential input fairing glued into the front, dropping the assembly and a long drive-shaft into position on locating pegs. To put the power down we need wheels, and these are made from three parts each, a chromed outer hub, a white plastic inner hub, and a mushroom washer that sits loose inside the halves to allow the wheels to rotate, then slipping the flexible black tyres over the hub to complete it, taking care to ensure that the white wall stripes are outermost. One is added to each arch, being very careful with the glue if you want them to spin once you’re done. Attention shifts back to the engine bay again, adding stiffening beams to brace the suspension turrets against the firewall, fitted diagonally and meeting at the centre. The battery and a few more ancillaries are installed around the capacious bay, and another four decals are applied here and there to add more authenticity to this Ford approved model kit. The radiator is made from three layers, and has a decal applied to the rear layer before it is inserted into the front of the engine bay, locating on the lower hose installed earlier, and adding a top hose to the opposite side with two more decals, that also disappears into the engine. The exterior of a car like this is very important, as a sports car is always at least partly about looks. The rear light panel is first to receive its clear parts, painting them the appropriate colours with transparent paint, then installing it into the rear of the bodyshell after it has been prepared by removing the supporting sprue from the engine bay. The rear quarter light windows are also fitted from the inside, to be joined by the windscreen with rear-view mirror and linked sun visors, a courtesy light in the centre of the ceiling, and the rear windscreen. Before inserting the interior into the bodyshell, the interior roof and pillars of the bodyshell should be painted red, then the floor locates on a set of pins and sockets, to be covered over by the underside of the vehicle, with important gluing locations pointed out by red lines around the engine bay edges. A car is nothing without a face, and the Mustang had this part of its design language dialled in for much of its lifetime. The grille is provided as a single part with the headlamp reflectors moulded in, to be painted with the best approximation of chrome that you can muster. The fog-lights are chromed, and insert into recesses in the grille, and should then be painted a clear orange, as should the sidelights in the bottom corners of the grille part. The grille and air-dam are joined together, and before you install them in the front, there’s a host of decals for the engine bay, many of them optional. The grille, bumper and number plate holder shapes are fitted first, then the dam is brought up from below. At the rear, the panel below the rear face is installed first with another number plate holder, fixing the chromed bumper over it, thereby hiding the seam. The chromed central badge is glued into its recess in the boot, with a choice of three number plate decals for front and rear holders. The detailing of the engine bay isn’t over yet, adding a large circular air filter container over the top of the engine, with a hose that snakes away to the lower part of the engine, and applying three more decals around the shallow cylinder and on the bay side. Chromed door handles and wing mirrors with chromed mirror inserts are fitted to both doors, then the bonnet is painted, which has strengthening structure and other features moulded into the inside if you want to display your engine. Two hinge guides are glued to the back of the bonnet panel, and it is installed in position, with pins on the ends of the guides locating in the space under the scuttle, so it is best done after the glue has fully cured. Markings There is just one vehicle depicted on the decal instructions for this special edition, and it is bright red with black lower panels that are applied as decals with silver trim incorporated. Decals are by Cartograf, which is a guarantee of good registration, sharpness and colour density, with a thin gloss carrier film cut close to the printed areas. Conclusion My experience of vehicle modelling doesn’t go back very far, so I was initially unsure why Revell chose 1:25, but that aside, this model is well-detailed and does a good job of portraying one of my favourite classic Mustangs, as it appeared in the classic Bond movie. It’s probably a bit large and wallowing for narrow and pot-holed British roads, but nice to look at on the forecourt or in your cabinet. Highly recommended. Carrera Revell model kits are available from all good toy and model retailers. For further information visit or
  23. Just realised I've failed to post my build from 2020 of the old Revell 1:32 He 111 P-1. There's no build doc unfortunately but thanks for looking. I've painted it in the kit given KG54 Totenkopf-Geschwader and imagined it having just landed from a bombing raid over England in 1940 and waiting for a reload and a refuel. Not much time for cleaning down so it's a tad mucky. I've used the Eduard interior and exterior PE kits and HGW seatbelts as well as the Profimodeller oxygen system (never again!) Many thanks for having a peek.
  24. My first KUTA 2023 subject, this is the 2009 issue Revell 1/8th scale Apollo : Astronaut on the Moon. This boxing of the original 1970 kit was to mark the 40th anniversary of the original moon landing, it was also released again 10 years later to mark 50 years. 20231108_221152 by Ghostbase, on Flickr I remember starting this kit just after I purchased it at a reduced price from Modelzone. I think I read somewhere that it was originally produced as a vacform kit; this would make sense becase there are very few parts however they are quite large and made of very thin plastic. The reason I stopped building it was because of the join of the parts. I had added filler then decided to paint over the sanded joins with enamel white. I then decided to add another coat of primer and this reacted with the enamel paint to give a 'frizzy' effect. 20231109_141507 by Ghostbase, on Flickr This has been on the shelf of shame for about 12 years, lets see if I can do a better job this time 🙂 Michael
  25. First serious bit of modelling I've attempted in about forty years – so guess that makes me a newbie! My first experience of photoetch, acrylics, airbrush... you name it. So I wanted to do a subject I felt a connection to, and something that would stretch me to the max. So it's Revell's 1/32 Schnellbomber which will assume the guise of 4D+DH 'Dora Heinrich' of 1.KG30.
 This Ju 88A-1 fell to the guns of 603 (City of Edinburgh) Squadron on 16/10/39 during a Luftwaffe raid on RN ships in the Firth of Forth. 'Dora' was the first enemy bomber downed by the RAF over the British mainland in WWII, and was on the receiving end of the first ever Spitfire victory.
 I was born by the Forth, and have lived half my life on its banks, my family have worked for generations on its waters and in its docks and I live just a few miles from where 'Dora' ditched almost eighty years ago. So I thought I'd make her the first half of a 1/32 'Dogfight Double'. Eventually I'll get around to tackling her nemesis – XT-A 'Stickleback' a MkI Spit of 603 Squadron. Over a year in, having too much fun, here's some (unfinished) pit shots. Apologise for quality – taken with an iPhone4 Cockpit side walls, still needs wiring/some piping added Eduard PE, Aims and homemade decals Floor and curtains printed on inkjet Pilot seat, control column and BZG2 Bombsight
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