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  1. Normally I am not such a great fan of presenting somewhat botched models, but here we go in the name of complete honesty (after all, not all kits come out perfect, don't they?): As mentioned in a previous post, I am in quite a spare with my race car models since some years. Suddently it 2eemed, as if I could do nothing right anymore. Consequently, I had like 5 unfinished kits sitting around, where I got stuck because of some flaw or the other. And a stack of about 30 kits which I didn't even dared to start. Recently I decided to just go ahead again ... I went with the "easier" Revell 1/24 kits before trying my hand again at my stack of 1/20 F1 cars. So, after completing one of the unfinished cars, I wanted to do this little kit as a "weekend edition" out of box (I even left the engine completly out). It went pretty well in the beginning, until I decided to use the kit provided decals for the yellow parts of the livery. The decals either would really bend in all the right directions or, with the help of softener, dissolve nearly instantly. As a result, some of the not dissolved pieces dry on wrongly and partly scaled of afterwards, while the dissolved sections looked like anything but the original. To add to the insult, I also had massive problems with the fitting of the rear wing. Which, honesty - remember - started with me glueing the wings to the endplates forward side backwards. It didn't get better after that .... I tried to correct some parts with paint but then just went ahead and finished the build without too much care for covering all mishaps or any more details (as one result, there are no exhaust pipes within the "chimneys"). I tried the pictures from the best angles and actually the car sitting in my shelf on a not too prominent spot, it is - let's say - OK. (here you can spot some of the damage, especially around the front suspension and near the "E" / "elf" on the engine cover) Thanks for looking and coments welcome as always. Cheers
  2. A more recent completion this time; I had finished this one up just this past September and I was very please with the end result. This was from an old Revell kit containing three models, each one with only a small amount of pieces to construct. I painted the whole thing in AK Real Colors' No.6 Earth Yellow, then covered that with tiny balls of stick-tac all over. Once covered, I sprayed the plane again with IJN Deep Green and removed the tac. Once removed, I brush painted spots of Rotbraun within the yellow spots, giving this cheetah-print camo. The results were better than I expected, and this is still one of the most unique and visually appealing camouflage patterns in my collection. There were a couple major downsides to this kit: the first being the complete lack of any wheel wells. Looking back, I probably could have put some card-stock in there at the very least for something, and that would have been better than the empty recess that is currently there. The second issue was the discolouring of the decals, most notable on the underside of the wings. But, this was a free kit and very old, so some imperfections are acceptable to me. ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The C.200 Saetta (Lightning) was an Italian-made fighter aircraft used by the Regia Aeronautica throughout the Second World War. It saw more operations than any other Italian aircraft and was noted for its agility, climbing and diving capabilities. The C.200 was the first all-metal monoplane produced by Italy and led to the developments of the C.202 Fulgore and C.205 Ventro (the latter of which I did a model of earlier this year). In its initial design, the C.200 had stability issues and was prone to spinning due to an imbalance in the wing, but these were later rectified with changes based on studies by Willy Messerschmidt and NACA (later to become NASA). The service history of the C.200 is long; they didn't see service in the Battle for France, but they were used extensively in the Mediterranean, especially after Britain's heightened involvement and introduction of the Hurricane. While the Hurricane was faster than the C.200, the latter was found to be superior in terms of manoeuvrability, turn radius, and climb rate. The C.200s were also used during the Italian efforts in Yugoslavia and, more than anywhere else, North Africa, providing cover for the retreating Axis forces after the Allied victory at El Alamein (a battle at which my grandfather on my mum's side fought for the Allies). After Fascist Italy's surrender in September 1943, many remaining C.200s still in operational condition were used by the Allied Italian Co-Belligerent Air Force.
  3. Following my comment on @John Masters's thread, I realised that I had not shared that build that I completed at the end of 2020. If my memory is any good, this aircraft is an F.6 that received the rear part of an FGA.9 with the parachute housing and not an FGA.9 as Revell state on the box. Final pictures: The build: Moulding: This picture is typical of what was in my box: Flash, heavy sink marks and soft surface details caused by the moulding issues. Nothing major but frustrating nonetheless when it comes to a kit that is not supposed to be short run... Having said that, a fired of mine who had acquired several boxes right after the kit was released did not have the same issues. Cockpit: The cockpit tub is very nice OOB and the seat was improved using my usual process (lead wire, Tamiya masking tape strips, plasticard, aluminium foil, Magic Sculp and stretched sprue): The cockpit sides were detailed using plasticard and a punch-and-die: The backplate was the area that needed more improvements: I also added a collimator before gluing the windshield: Once painted, it looks really nice. I did not use the decals but painted everything by hand using a sharpened toothpick and Vallejo acrylics: Air inlets: It is advisable to add a shim of plasticard where the wings meet the fuselage around the air inlets. Otherwise you will be left wth a nasty gap at the top and bottom junctions: The air inlet cone is missing and the resulting empty space is quite noticeable. I made some off 0,2mm plasticard sheet: Painted white at the front and going black at the back to give an impression of depth: Parachute housing: It had a very nasty sink mark and the panel lines had nearly disappeared. It took quite a bit of time and effort to bring it back to a decent condition: I had to rescribe and add missing rivets to quite a few hatches / covers, mostly on the wings. Overall fit: In spite of the moudling issues, the overall fit was good and little filler was needed: Painting and weathering: The model was painted using Mr Hobby Aqueous over an Ammo One Shot black primer: Grey: I sprayed a highly thinned H331 DSG in a mottling fashion, building up slowly the coverage and letting the black show through around the panel lines. Then, I made some highlights using H337, insisiting on raised details and the centre of the panels. I finished with some post-shading using Panzegrau. Green: I used H73 DG follosing the same process and made highlights by adding H313 sand to the dark green. I toned down the effect with several light mists of H73. Red: I primed the area in white, then applied a coat of yellow and finally the red base coat (H13). I applied some shadows using a highly thinned dark brown. I then applied the decals, though most roundels , the code and fin flash were painted using masks cut with my Silohouette: I like to get the landing gear and weapons out of the way as quickly as possible, as I consider them as a chore: Then, I applied the washes: I used True Earth Neutral brown on the underside, Black on the camouflage and Dark Brown on the red. The weathering was done using mostly felt tip pens and aluminium and dust weathering pencils: Finally I applied a light coat of VMS matt varnish. In hindsight, I probably should have been more restrained on the weathering. But at the time, I wanted to give it a worn out look. On some pictures, they are in a worse condition than shown here with large patches of white showing underneath the red on the wings, for instance.
  4. Golden Age of Transport is an interesting subject for a GB, certainly something that is on my mind every now and then - but I haven't actually built any kits for. So I searched for a kit that would suit this GB and came across a Dornier Do X. The biggest and heaviest of it's kind that made world records that lasted past WW2 - and made a transatlantic test flight that lasted almost two years! It's almost as much as a boat as it's a plane. Pilot controlled two 'throttles' - left and right. But they were not really throttles, they simply signalled the engineers inside the wing - and they made the adjustments to the twelve engines, much like in ships. All in all, certainly a worthy subject of this GB!
  5. Phew, broke my duck for 2024. I was very pleased to finish this one, not least because it was an xmas present from my Dad. The kit was pre-owned and included quite a lot of aftermarket – the Ali Cat canopy set, Quickboost propeller and exhausts and the Master brass gun barrels set (this being particularly appreciated as the forward-firing MG17 in the kit seems to be a 30mm upgrade from the diameter of the barrel). I had another beef with the kit, in that it seems to be designed to be built with the wings folded and all the engine panels open... as a result the wings seem to be lacking the wing-root fillet at the top if you build them unfolded (it could have been me, but I couldn't find any such part or any part that looked like it might fit the bill) and the engine cowling panels don't fit at all well if closed up. Still, I made it in the end and as it's unlikely anyone else will produce an injection-moulded Ar 196A then you either build this one or you don't build any. I did add the HGW resin seat and fabric seatbelt set, and the Quinta instruments sets, as the kit's moulded seat belts weren't all that impressive and there were no decals for the instrument panel. The model was finished in the Maritime Scheme, with Colourcoats ACLW04 - Grun RLM 72 & ACLW05 - Grun RLM 73 over ACLW03 - Hellblau RLM 65, with the interior in ACLW12 - RLM Grau RLM 02, the propeller blades in ACLW02 – Schwarzgrun RLM70 and the bombs in ACLW11 - Dunkelgrun RLM71. Detail painting was mostly Vallejo acrylics with Tamiya Clear Red and Green for the navigation lights. I used the kit transfers, they were good but I did ditch the large stencilled laurel wreath marking which commemorated 100 catapult launches from Tirpitz – I didn't like the way it was sprayed over the hand-hold ropes and there must have been a time when it didn't have that marking applied (the first 99 launches, for example). I finished it with a mix of satin and matt varnishes, it still came out shinier than I expected but them's the breaks. Thanks for your patience, apologies for the verbiage Cheers, Stew
  6. This was a problem child of mine. Not because the kit is bad ... it is actually a pretty well made kit with a huge potential for detailing. I got it on sale to add to my already too high stack of racing cars. When I finally started it about 5 years ago, I ran into a lot of troubles, mostly of my own making. I had bad luck with a few race carkits over the last years, someone must have put some bad voodoo on me. So, the car went half build into the closet (together with a few others). As I always was feeling bad for not having finished it whenever I saw the box (always), I manned up and finished it as a quick "weekend build" without any details or attention to parts you anyhow hardly see. So, not my best work, but finally complete and out of the closet and out of my mind 🏁 Thanks for looking, any comments welcome. Cheers here are my other racing models: https://photos.app.goo.gl/3R7EApxULTfrgsPu6
  7. Hi All, Here is my effort on the ICM kit but Revell boxing of the Gloster Gladiator an absolute joy to put together even if the instructions would have you put the lower instrument panel on the rear bulkhead! Only aftermarket used is the seat belts although a decal is supplied in the boxing. I have rigged this one in "stretchy beading thread" bought of off ebay and very cheap compared to the "modelling" alternatives. The lower upper wing had the holes drilled and the treads were super glued into them and left to fully harden . The inner fuselage strut holes were drilled right through the top mainplane and those wires glued into the fuselage. The lower wing holes were drilled right through and once the upper wing was attached I pulled the wires through, tensioned them and held in position with tape. when all were secured I then glued each wire to the wing and trimmed the excess off. I found this method worked very well using this 0.4 mm beading thread. paints used were from Mr Hobby Aqueous , Revell Aqua and Tamiya acrylics first time I've used the Pledge alternative to Klear as a decal setting solution and found it works fine but is not so aggressive to the decals as Klear. I can fully recommend this ICM kit only downside I missed getting another for £25 in the Jadlam spring sale they are now out of stock! Looks like I need to trim that aerial wire! MODeller
  8. While working on Vc from Malta, I pulled out "Spitfire Mk.V" by Revell - the well known 1996 boxing featuring some nice looking details and some massive blunders. I actually thought it is mk.Vc so I started it planning to build it with Xtradecal decals I used for the other Spitfire. But as you may be aware, it is in fact mk.Vb. Oh well. At this point I decided to build it as LF version as I do not have clipped Spitfire in my collection. Kit has decals for it - AEoE, EP120 (boxart plane). So I built model with clipped wings. And then I learned Revell idea of "Sky" as used on code letters and band is too dark. I looked through my spares box but haven't found any decals for LF version of mk.Vb. I do have some nice ones for full span wings. Sigh. Now I am not sure how I will paint it. Either I will stay with AEoE and ignore that letters are too dark. Or I will make undocumented plane from 303 Squadron that operated some LF Mk.Vb from late 1943 to June 1944 using RFoD codes from well known Zumbach's plane from the period when 303 first operated ordinary Mk.Vb (Oct'41-June'43). Cockpit is one of the weakest parts of this model that would require complete rebuilding. On the other hand, transparencies are so terrible, you will not see much of this. So, as I started this model with attitude "I have it so I will build it" I decided to paint what little there is and hide it under the glass. The other major problem is obviously lack of gull wing. I decided to check if I can do something about it. Using rotary tool and sandpaper and copious amounts of putty and surfacer plus actual forcibly bending the plastic parts I managed to get some promising results. During this process I learned changed shapes interfere with cockpit floor. This plus the fact that this "flat" part has no panel lines (despite model having very nice panel detail overall) got me thinking and I believe this may be actual reason why they flattened this piece - they could have discovered that there is a problem when building test shots and at this point the only way to make body buildable was to carve into mould to flatten it. At some point (I have this model for a long time so box was opened numerous times) I managed to lose kit spinner so I fitted Rotol prop from Airfix. Is it acceptable? If the shape is bad I may print new one as I got the files when building Malta Spitfire.
  9. Afternoon all, Latest completion from me - Revell’s 1/144th scale Boeing 747-400 with DrawDecal’s British Airways decals. It’s been built out of the box, other than my usual mod to these kits in adding some height on the cockpit crown area with some Milliput to correct the profile. Although it’s getting a little long in the tooth now, the kit still builds reasonably well once excess flash is removed! I was really sad when BA retired the 747 - not only is it one of my favourite commercial aircraft but I’d flown on them more than any other type and thought I’d do my own little tribute to ‘The Queen of the Skies’. The real thing was my last 747 flight when she brought me back from Australia once… the ‘Kangaroo Route’ is now 777 or 787 and it’s not quite the same. Long live the Queen! All the best, Tom
  10. Just a placeholder for the Piper PA-48 Enforcer I'm planning to build for the GB. Although not a true Mustang, this has been approved by Patrice @TEMPESTMK5 and will be the Halberd Models resin conversion for the Revell P-51D-15-NA kit in 1/32. Looking forward to starting but modelling opportunities are few and far between these days 😢 See you all back here at the weekend! Cheers, Alan
  11. Mustang Mach 1 007 (05664) 1:25 Carrera Revell Ford’s Pony Car was first introduced in 1964, and immediately struck a chord with the American car-buying public, claiming a place in motoring history as it did so. By the time the 1971 edition came about, there had already been a series of annual redesigns as was common back then, when cars were substantially less technologically challenging and safety-conscious than they are now. The aggressive styling had been toned down a little, and the chassis kept getting longer with three main body styles available, including hardtop, convertible and fastback, although the latter was unimaginatively called the Sports Roof at the time. There were three basic trim levels, plus the Mach 1, which was the sports model with two-tone paint and fancy striping, plus ducts in the bonnet to appeal to the petrol heads of America, of which there were many then, and are now. The Boss 351 followed the Mach 1, tricked out with grille-mounted fog-lights, additional spoilers front and rear, different twin tail pipes, chrome bumpers, and blacked out bonnet with tie-downs to give it a more racing look. Coupled with the sloping rear of the Sports Roof, these cars were a huge draw to those with a bulging wallet, but the vehicle’s emissions were such that it was short-lived as it stood, and the later 351 was dropped the following year due to the more draconian emissions regulations that were putting the brakes on oversized cars with immense engines under the bonnet, and while petrol prices were also starting to climb, America still had it pretty good when compared to other countries at the time. Although the Boss 351 variant ended, the Mach 1 name continued with the new design that was introduced in 1974, even though everything was comparatively smaller and more economical after the excesses of the early 70s. The Kit This is a reboxing of as 2022 tooling from Revell, and I originally questioned the choice of 1:25 scale, although I suspected that it might be a more popular scale in the US, and let’s face it, that’s where many of the kits will be heading. The kit is themed for Revell’s recent release of a host of James Bond themed vehicle kits they have marketed recently, and this beast was seen in the film Diamond are Forever, with Sean Connery at the controls of Tiffany Case’s red Mach 1 in a chase through the streets of Las Vegas, sometimes on fewer than four wheels. It arrives in an end-opening box with a painting of the car with a Las Vegas backdrop on the front, showing off the poster that is supplied (not pictured), plus reminding us of the fact that it is an official Ford product by way of a holographic sticker in the bottom centre. Inside the box are eight sprues and a bodyshell in white styrene, two chromed white sprues, four flexible black tyres with white sidewall stripes pre-applied, a clear sprue, decal sheet, the instruction booklet in A4(ish) portrait form that is printed in colour, and with a safety sheet folded up inside, just in case your common sense has temporarily deserted you. Detail is good, with modern aspects to the tooling, which has been moulded for Revell by (or in) Dongguan in China, as evidenced by black printing near the raised Revell 2022 copyright details in the boot/trunk areas. Construction begins with the engine, which is a little different than the original issue, starting with the two-part block and transmission assembly, which has the sump and two layers of ancillaries added to the front, then the two four-piston cylinder heads with their oil filler caps that form the V that gives the V8 its name, installing the two manifolds and more ancillaries along the sides. The fan belt with its mountings are put together separately and have the new seven-bladed fan fixed to the front before it is joined to the front of the engine along with the air intake pathways, carburettor and the distributor that nestle in between the piston banks. There are thirteen decals applied to various locations during the building of the engine, adding extra realism to the assembly, then the lower hose that leads to the radiator is inserted low down at the front of the motor. The dashboard is well-moulded, with recessed dials and raised bezels that are enhanced by applying ten decals if you include the two on the steering wheel, which is mounted on a short column with integral indicator stalks, with detail painting called out along the way, which is also the case for the rest of the build process. The front seats are each made from front and rear halves, and you have decals for the contrasting material inserts either side of the quilted cushions in black. The centre console has a T-shaped gear selector and its gaiter inserted into the front, and there are three decals applied here too, painting the moulded-in rear seats as the front seats and centre console are installed in the floor pan, all of which don’t have seatbelts although decals are found on the sheet, but it does have four foot pedals on a carrier glued into the left side of the kick panel. The door cards are detail painted and have two wood-grain decals plus a silver trim decal applied on each one so that they can be fitted to the sides of the floor pan and create the complete interior with the addition of the dashboard that gets yet another decal in the left corner that appears to be the US equivalent of the British VIN number. So far we have an engine and an interior, but not much car to go around it. That changes when the firewall is trimmed to add a pair of recesses on the top edge, and has the brake master cylinder fitted to it, then is detail painted before it is put to the side for a moment. The underside of the car is well-detailed on the exterior, and has the sub-frame mounted on two coil springs in the front, then the front axle with all its steering and suspension parts moulded into it is overlaid, after which the underside is flipped over to install the firewall after checking that you have removed the cross-brace piece of sprue in the transmission tunnel before you started. A couple more ancillaries are added in the engine bay, then the engine is lowered into the bay, sliding the transmission through the firewall and mounting it on its cradle in the centre, just like the real thing. With the glue cured, the chassis is flipped onto its back again to install the twin downpipes that each mate to their own muffler that plugs into some large turrets under the body. Two shocks and an anti-roll bar are glued into the rear axle space before the exhaust pipes are inserted into slots in the back of the mufflers, then the leaf-springs are fixed across the rear axle, which also has its differential input fairing glued into the front, dropping the assembly and a long drive-shaft into position on locating pegs. To put the power down we need wheels, and these are made from three parts each, a chromed outer hub, a white plastic inner hub, and a mushroom washer that sits loose inside the halves to allow the wheels to rotate, then slipping the flexible black tyres over the hub to complete it, taking care to ensure that the white wall stripes are outermost. One is added to each arch, being very careful with the glue if you want them to spin once you’re done. Attention shifts back to the engine bay again, adding stiffening beams to brace the suspension turrets against the firewall, fitted diagonally and meeting at the centre. The battery and a few more ancillaries are installed around the capacious bay, and another four decals are applied here and there to add more authenticity to this Ford approved model kit. The radiator is made from three layers, and has a decal applied to the rear layer before it is inserted into the front of the engine bay, locating on the lower hose installed earlier, and adding a top hose to the opposite side with two more decals, that also disappears into the engine. The exterior of a car like this is very important, as a sports car is always at least partly about looks. The rear light panel is first to receive its clear parts, painting them the appropriate colours with transparent paint, then installing it into the rear of the bodyshell after it has been prepared by removing the supporting sprue from the engine bay. The rear quarter light windows are also fitted from the inside, to be joined by the windscreen with rear-view mirror and linked sun visors, a courtesy light in the centre of the ceiling, and the rear windscreen. Before inserting the interior into the bodyshell, the interior roof and pillars of the bodyshell should be painted red, then the floor locates on a set of pins and sockets, to be covered over by the underside of the vehicle, with important gluing locations pointed out by red lines around the engine bay edges. A car is nothing without a face, and the Mustang had this part of its design language dialled in for much of its lifetime. The grille is provided as a single part with the headlamp reflectors moulded in, to be painted with the best approximation of chrome that you can muster. The fog-lights are chromed, and insert into recesses in the grille, and should then be painted a clear orange, as should the sidelights in the bottom corners of the grille part. The grille and air-dam are joined together, and before you install them in the front, there’s a host of decals for the engine bay, many of them optional. The grille, bumper and number plate holder shapes are fitted first, then the dam is brought up from below. At the rear, the panel below the rear face is installed first with another number plate holder, fixing the chromed bumper over it, thereby hiding the seam. The chromed central badge is glued into its recess in the boot, with a choice of three number plate decals for front and rear holders. The detailing of the engine bay isn’t over yet, adding a large circular air filter container over the top of the engine, with a hose that snakes away to the lower part of the engine, and applying three more decals around the shallow cylinder and on the bay side. Chromed door handles and wing mirrors with chromed mirror inserts are fitted to both doors, then the bonnet is painted, which has strengthening structure and other features moulded into the inside if you want to display your engine. Two hinge guides are glued to the back of the bonnet panel, and it is installed in position, with pins on the ends of the guides locating in the space under the scuttle, so it is best done after the glue has fully cured. Markings There is just one vehicle depicted on the decal instructions for this special edition, and it is bright red with black lower panels that are applied as decals with silver trim incorporated. Decals are by Cartograf, which is a guarantee of good registration, sharpness and colour density, with a thin gloss carrier film cut close to the printed areas. Conclusion My experience of vehicle modelling doesn’t go back very far, so I was initially unsure why Revell chose 1:25, but that aside, this model is well-detailed and does a good job of portraying one of my favourite classic Mustangs, as it appeared in the classic Bond movie. It’s probably a bit large and wallowing for narrow and pot-holed British roads, but nice to look at on the forecourt or in your cabinet. Highly recommended. Carrera Revell model kits are available from all good toy and model retailers. For further information visit or
  12. I built this from the Revell F&F boxing 'Dom's Charger'. I must admit to only having seen the first film in the F&F series..... It's really not my thing 🙂 although, I do love some of the cars! The kit parts do not include a rear seat, luckily one was donated by a fellow modeller through FB. I did some detailing in the engine bay, spent quite a bit of time thinning the supercharger drive belt down to a more appropriate thickness. Wheels were swapped out for Pegasus T's in the big 'n' little style. If you look carefully, you can just make out the ignition key in the steering column! Paint is Mr Hobby GX Deep Clear Red over their gold base, followed by several coats of GX112 UV cut gloss clear. The front grille part had damaged chrome so I elected to strip the kit chrome and use Molotow through my airbrush.
  13. My wife bought this somewhat vintage injection moulded plastic Revell 1:225 scale HMS Victory kit for me at Christmas about ten years ago. Scalemates have the 1st iteration of this kit dated at 1958, but because the date the moulds were made is moulded into the poop deck, I can state it’s actually 1959! It took some careful work with a blade to remove the manufacturers raised name and date from the deck before assembly. My kit was a Battle of Trafalgar Bicentennial 2006 boxing. Scalemates also claim the original scale is 1:146 and not the 1:225 stated on the Bicentennial box, but as has been pointed out in the kind responses below, this is incorrect and a 1:225 scale is most likely. The present was only a last minute stocking filler really, which my wife expected would end up at the charity shop because as a lifelong landlubber who’s main interest is aviation I typically make aircraft models. What she didn’t know is my dear old mum, the other important woman in my life bought me the Airfix kit of Victory for Christmas back in around 1967 when I was - to use Royal Navy 18th Century vernacular - a “nipper” of 10 - 11 years old. From memory, mum’s present along with the dining table, ended up a glue and paint smeared hulk with no attempt made to reproduce the miles of rigging. So despite my better half’s assumption, I decided to keep the kit and try to make a better job of Victory in memory of my late mother. However the kit remained stashed for years until Covid hit, when I started building it for something to do during lock down. As a lad I can remember being awed by the shipwright’s models I saw at the National Maritime Museum in London and truthfully what I’ve tried to create is a facsimile of a shipwright’s model, rather than a scale model of the real thing. I started out trying to keep as close as possible to the original Trafalgar colour scheme recently identified at the start of her most recent refit. I recall that many of the sailing ship models in the NMM did not have sails fitted, so I’ve made no attempt to model these. I realised early on that the finished model would be damage prone and also a powerful dust magnet, so once the rigging was well underway I constructed a custom acrylic and oak display cabinet for her. This includes a 2 cm diameter lapel pin copy of the her modern day ship’s badge and six small silver plaques engraved with all of Victory’s battle honours mounted at the front edge of the cabinet’s oak plinth. The latter were engraved at my local Timpson’s store. After the photographs you’ll find a bit more info on the build and some links to my previous posts in Work in Progress - Maritime. I hope you like her, warts and all, and no, I will not be building a “proper” wooden ship model from scratch anytime soon because I couldn’t afford the inevitable divorce settlement. During this voyage of discovery I’ve learnt a lot about 17th-18th Century sailing ships that I didn’t know previously and quite a few new construction techniques, such as making the clear acrylic display case to protect the finished model from dust and recreating the many deck mounted hammock racks out of an old Sainsbury’s supermarket loose veg netting bag! In my first build thread posted in Work in Progress - Maritime you’ll see that the hull came together fairly quickly during 2020, but stalled after I first attempted the rigging. In the beginning I reproduced all of the shroud lines individually using black elastic thread and attached these between the masts and the moulded on dead-eyes using jewellers adhesive. The adhesive worked, but took several minutes to cure sufficiently to hold firmly in place. I lost count of the number of times that the shrouds kept pinging off and needed re-glueing due to my impatience. When I’d finally got them all in place, I then realised that recreating the ratlines on the elastic shrouds was going to be an even greater challenge because when thinner elastic cord ratlines were glued across the shrouds they distorted and the process was also really tedious, I gave up halfway up one side of the lower main mast shrouds and literally put the now rather sad looking model on a shelf, where it sat gathering dust until 2023. My daughter and son in law bought me the Revell 1:700 HMS Invincible kit for my birthday in 2023 and I completed her last September. This put me in a nautical frame of mind again, so I decided to try finishing Victory off as a winter 2023-24 project and started build thread part 2 over in Work in progress -Maritime. So if you want to find out exactly how I reworked the shrouds and ratlines, do take a look. I’d downloaded detailed rigging plans for the JoTika large scale wooden model of Victory from the Jotika website and used these as the basis for this smaller scale model, but I also got a lot of kind help and suggestions from several more experienced Britmodeller salty sea dogs. I’ve tried to recreate as much as possible of the fixed and running rigging, but getting the right diameter elastic line at this scale remained problematic and I wasn’t able to do all the rigging because I started too late on in the build for easy access to some parts of the model. The end result is therefore by no means a fully accurate scale representation of HMS Victory, although I’d claim it’s currently in better shape than the real McCoy which is undergoing a multimillion pound refit and currently sans masts. Where I attempted to model some of the wooden blocks, I used various cut sections of plastic rod and compressed paper earbud shafts. The shrouds and some of the stays are still too thick and most of the other lines are to thin, but this is because I elected to use elastic thread throughout to prevent distortion of the kit’s thinner plastic parts. Also, all rigging lines are depicted under tension, when I suspect many would have some slack in them. However, taught though she is, I hope I’ve captured the essence of what was in her time one of the most complex man made moving objects on the planet and she’s turned out to be a really interesting and historical display piece for our living room bay window.
  14. Just realised I've failed to post my build from 2020 of the old Revell 1:32 He 111 P-1. There's no build doc unfortunately but thanks for looking. I've painted it in the kit given KG54 Totenkopf-Geschwader and imagined it having just landed from a bombing raid over England in 1940 and waiting for a reload and a refuel. Not much time for cleaning down so it's a tad mucky. I've used the Eduard interior and exterior PE kits and HGW seatbelts as well as the Profimodeller oxygen system (never again!) Many thanks for having a peek.
  15. The rather interesting JU 52 from Revell shows the "passenger" door forward hinged. If you are going to be dropping meat bombs over Crete, I would imagine that a forward hinged door may be a tad inconvenient. Was the door removed for paratrooping or has Revell got it wrong? Maybe correct for civil versions but not military?
  16. Aston Martin DB5 007 Goldfinger (05653) Easy-Click System 1:24 Carrera Revell Aston Martin’s Grand Tourer, the DB5 rose to prominence above almost anything they had produced to that date or since, when it won a starring role in the James Bond film Goldfinger, driven by Sean Connery as the eponymous hero, fitted with guns, oil-slick dispensers, bullet-screen and an ejector seat to name but a few of the gadgets used. Like all of Jimmy’s cars, it ended up in a tangled heap, crashed into a building, and JB in the hands of the bad guys, which is a surprisingly common outcome for such a supposedly accomplished spy, although he always manages to escape. Developed from its predecessor the DB4, the DB5 was so named after the owner of the company David Brown. The engine was a light-weight aluminium straight-six block with three carburettors that propelled it to over 140mph thanks to its 280bhp output that was sent to the rear wheels via a 5-speed gearbox that was bought in from a third-party to solve previous problems that their home-grown box had encountered, although a four-speed box was used in early editions. It was also available with a 3-speed automatic box, but who’d want that unless they had leg issues? Like modern Astons, it was lavishly appointed, with leather trim, thick luxurious carpeting, and traditional chrome wire-wheels with knock-on/off nuts. The magnesium alloy body had two doors, and could seat two comfortably, with additional space for children or adults with no legs, and luggage in the boot. It was initially launched in 1963, and the production run included a small number of custom-built cabriolets, some of which had more powerful Vantage engines, and at the very end of production some were kitted out with the upcoming DB6’s engine. During its last year of production in 1965 they released the Vantage option with an extra 40+bhp of power squeezed out of the engine thanks to improved carburettors and more aggressively profiled camshafts, with only 65 being made before the DB6 replaced it in their line-up. The DB6 was an evolution of its forerunner, with improved aerodynamics and luxury, developing into a closer representation of the later DB series cars that we’re probably familiar with from our childhood and beyond. The Kit This is a new tool Easy-Click System kit from Revell, designed to be built by novices or experts alike, requiring no glue unless you feel the urge, and including a set of five thumb-pots of acrylic paint and a two-ended paint brush. You also receive a folded A3 poster of the box art without the trappings required for the packaging, which you can hang on the wall if you wish. Inside the end-opening box are four sprues in black styrene, three sprues and the bodyshell in muted silver, one in dark grey, two chromed sprues, a clear sprue, four flexible black tyres, decal sheet, sticker sheet, and instruction booklet that is printed in colour, and has the painting and markings guide on the rear pages. Though this is a snap-together kit and comes with both decals or stickers for the younger audience, detail is good for a kerbside model, and it includes some of the gadgets that Mr Connery used in the movie, such as the bullet-screen, ejection seat opening in the roof, and the extendible axles that tore the side out of the baddie’s car during a frenetic chase. Construction begins with the floor pan, which has a silver insert that depicts the underside of the engine and transmission using two parts, over which the suspension struts are added, pivoting the front axles with moulded-in brake disks and their connecting arm, then layering a sub-frame over it before moving on to the rear axle. The back axle is bulked out with an insert in the centre that creates the differential housing, fitting suspension struts and dampers into the rear of the floor pan. The twin down-pipes from the engine are placed side-by-side along the centre of the floor pan, then attention turns to the interior. The front seats are each made from an L-shaped part with pencil quilting that has a rear panel inserted, while the dashboard has the steering column and wheel inserted into the right side, adding eight decals or stickers to the dials, and another to the centre of the steering wheel and centre console. The interior floor is a grey part that receives the rest of the internal assemblies, starting with the gear stick, which has a choice of standard or 007 variants with the cap open displaying the red button. A choice of centre armrest with alternative open rest that has gadget buttons in it is made next, then the driver’s foot pedals are snapped into the right footwell, popping the front and rear seats in behind. The door cards are both fitted with inner handle, while the driver’s side has another secret pocket that can be fitted open to display more gadgets. They have a decal applied, and are clipped into the sides of the floor, held vertically by the dash that is installed at the same time. The completed interior is inserted into the bodyshell after adding a rear-view mirror above the windscreen, and if you’re going for realism, there are quite a few ejection-pin marks around the perimeter of the roof liner that you may wish to hide with filler. A black inner wheel well insert is added forward of the interior while the body is inverted, and at the rear, three clear lenses are clipped into the corners to create the light clusters, painting the lenses the appropriate clear colour. Naturally, there are alternate bottom lenses depicted flipped open to display the barrels of the rear machine guns. The front and rear number plate holders are built with a rotating prism held inside a frame, adding the bumper and boot handle at the rear, plus slide-out over-riders that are held in place by a pair of washers inside. The front bumper is installed after the bodyshell and floor pan are mated, fitting a front valance to the rear of the bumper, and adding the same kind of slide-out over-riders either side of the rotating number plate holder before fixing them under the front of the vehicle, and slotting the distinctive chromed Aston Martin grille into the centre. Side lights or machine guns are fitted into the front wings, and the headlight lenses are too, once the inner lens and chromed reflector are fixed into the recess. The wheel hubs are built from three layers, the rear of the hub in black, and the wire wheels in chrome, trapping a top-hat washer in the centre that friction-fits on the axles. The flexible tyres are slipped over the hubs and attached to the model, one per corner as you’d expect. The windscreen is carefully inserted from outside, helping it along by inserting your index finger (other fingers are available) through the ejection seat hatch to ensure it doesn’t fall inside. The rear screen can be inserted similarly, adding the side windows from the outside. It’s worth noting that the side windows are supplied as a single part, including both the door window and the quarter-light, and locating on a pair of tabs that clip into the sills of the bodyshell. External chromed door handles and the wing detail inserts are applied to the exterior side, and you have a choice of installing standard knock-off wheel nuts, or the 007 weaponised versions that project from the centre of the wheel on a tubular support, by using different chromed parts. More chromed parts follow, including the aerial base, a pair of windscreen wipers, and wing mirrors, not forgetting the hatch through which your unfortunate front seat passenger would be ejected should the need arise. You can pose it closed by using the part, or leave it off to show off the interior better. The last standard parts are the twin exhausts that have the back box moulded in, clipping to the end of the down-pipes under the body. The 007 specific gear is finalised by sliding the bullet screen behind the rear window, which slots into the rear bodywork, and can be fitted with a decal or sticker that portrays some bullet damage for a little movie frivolity. Next to the exhausts, a black tube is inserted into a hole in the valance, and if memory serves, this is the oil dispenser. It’s a while since I’ve seen Goldfinger. Markings This is a special edition, so there is only one option on the decal sheet, although there are alternative number plate options for those rotating plate holders. From the box you can build the following: Decals are by Cartograf, which is a guarantee of good registration, sharpness and colour density, with a thin gloss carrier film cut close to the printed areas. It’s not clear who printed the stickers, but they seem well-done and fit for purpose. Conclusion Sean Connery played a colder and cooler Bond (controversial!) than his replacement, and the DB5 cemented its place in motoring and movie history by appearing in Goldfinger. It’s a good-looking model of the car, and should provide some fun for the novice and expert alike, choosing which of the gadgets to deploy on your model. Highly recommended. Carrera Revell model kits are available from all good toy and model retailers. For further information visit or
  17. Leopard 2A6M+ (03342) 1:35 Carrera Revell The Leopard 2 is the successor to the earlier Leopard Main Battle Tank (MBT), and was developed in the 70s, entering service just before the turn of the decade. The initial design had a vertical faced turret front, while later editions had improved angled armour applied to the turret front that gives the tank a more aggressive look and provides much better protection from an increased likelihood of deflecting incoming rounds away. It has all the technical features of a modern MBT, including stabilised main gun for firing on the move, thermal imaging, and advanced composite armour, making it a world-class contender as one of the best tanks on the market. The original Leopard 2 variant entered service in 1979, but has been through several upgrades through its service life and the current production variant is the highly advanced 2A7+, with the 2A8 waiting in the wings. The 2A6 is still a powerful battlefield resource however, and likely to be so for some considerable time. It sports the Rheinmetall 120mm smoothbore gun with the barrel extended over the A5, which results in a higher muzzle velocity that improves its penetration power over its predecessor, allowing it to reach targets at a greater range and hit harder. It also has an armoured ammunition storage space in the turret that is engineered to blow outward in the event of a detonation of munitions, which again improves the crew survivability further. For close-in defence they are fitted with an MG3 machine gun, and the armour is installed to give it an arrow-head front profile to the turret, as well as several more subtle upgrades that follow on from the 2A5. Sales of the Leopard 2 have been good overseas because of its reputation, and Canada, Turkey, Spain and many Nordic countries use it as well as many other smaller operators. The 2A6M is a mine-protected variant for use in asymmetric combat and in the likelihood that IEDs or mines have been planted to destroy the heavy armour before it can roll over their lightly protected positions. These were upgraded in the mid-2010s to the 2A7 standard, but due to monetary constraints only fifty vehicles were converted, only using the + designation until the completion of the programme in 2017. The upgrades involved new comms systems that include a field telephone on the rear bulkhead, replacement of the potentially dangerous Halon fire extinguishing system with a more environmentally friendly chemical system, as well as new sights for the commander and gunner, bringing them up to modern standards. The Kit This is a new boxing of Revell's 2012 tooling of this type, as evidenced by the raised copyright lettering on the inside of the floor pan. It arrives in an end-opening box, with a painting of the Leopard wearing European camouflage while another big cat, the Eurocopter Tiger flies behind it. Inside are eight sprues in grey styrene, in a welcome move away from the green Revell used to use in their AFV kits. There are also four sprues of flexible black plastic, plus four runs of track in the same material, and a clear sheet of acetate (not pictured – it’s invisible) that is marked as "window sheet" on the instructions. A short length of wire (not pictured) is taped to the instruction booklet, and the ends are quite sharp, so avoid stabbing yourself like I once did some years back. The decal sheet is hidden away in the centre of the booklet, and is protected by a sheet of thin greaseproof paper, as is the clear acetate. The kit is clearly a modern heritage, and has some nice detail on the outer hull, including patches of anti-slip coating on the main surfaces. The large circular cooling fans on the rear decking are particularly nicely done as separate parts, and should look well once painted. The odd splitting of the track could cause some issues however, as each track is made up from two halves that must be glued together before they can be fitted to the tank, but won’t react to normal styrene glue, so would be best done with super glue or epoxy glue, which would require the joint to remain relatively straight, so positioning them in the middle of the top and bottom track runs would be beneficial. Construction begins with the hull, which is built up from separate sides, held in alignment by two perforated bulkheads that sit in slots in the floor plan. An insert is added to the right rear side, completing the lower hull by fixing the rear bulkhead in place. The upper hull is mated with the lower, fitting a hatch on the right side, and one of the two circular cooling vents on the engine deck. Suspension details such as bump-stops, swing-arms with stub axles detail the hull sides, after which seven road wheel pairs are slipped over the axles on each side, and four return rollers per side. The idler wheels are smaller than the road wheels, and the drive sprockets are built from two separate toothed parts each. An appliqué armour panel is added to the underside of the tank, which improves its mine resistance, although unusually it doesn’t have an angled keel to deflect the blast like most other anti-mine packages. As mentioned earlier, the tracks are of the rubber-band type with nice detail, and if you can live with the curving of the links around the drive sprockets and idler wheels they should suffice. Each length is made from two sections, which have a generous four-link overlap and two pins on each link to strengthen the join. You are instructed to glue them with ordinary plastic adhesive, and you are recommended to clamp them together and wait until they are properly cured before handling them, but you’ll be in for a long wait, as I tested liquid glue and it had no melting effect. The pins are flush to the track pads on the outer face, so filling or hiding them under the fenders and against the ground would be advisable once you have attached them to the vehicle. The rear bulkhead of the vehicle has a large radiator grille running along the full width, which is a little shallow, but with some black paint in the recesses, should suffice for most modellers. A couple of turnbuckles are glued to the lower edge, and under the ends hang the two flexible mudguards that are made from the same plastic as the tracks, and the field telephone box with handle in the centre. Two other panels are fixed to either side, one with a bracket that receives the convoy light shield, applying a decal or painting the white cross by hand if you prefer. Three towing shackles and the rear light clusters finish the rear of the vehicle for now, installing the flexible towing cables with styrene eyes later. A set of pioneer tools are added to the rear deck, gluing barrel cleaning rods to the front deck, and the afore-mentioned towing ropes are fitted. If you're not happy with a mould-line running down your tow-ropes, now would be the time to replace it with some braided wire or cord, using the kit parts as a length template. Moving to the glacis plate, spare track links on a palette with the front hazard lights are installed, along with the usual shackles and headlights, followed by the driver’s hatch, which has detail inserts fixed front and rear. The fenders are integral to the top hull, and only the side-skirts need to be added. These are made from two basic parts on each side with tapering forward sections, and overlaying thicker appliqué armour over the front two road wheel stations and idler, plus the rear sections that locate on a long guiding tab moulded into the back of the parts. The turret is a complex shape, and the base is made up from three parts, onto which the main gun is built up with a block in place of the breech. The barrel is supplied in two halves, split vertically lengthwise, and it has some nice moulded-in detail, so take care aligning the parts and again when cleaning up the seam. The barrel is tipped with a hollow muzzle, but this is a little shallow, so might be better drilled out once the glue is dry. The mantlet section that raises with the gun is built up around the base of the barrel in three parts, and this is then added to the lower turret, being locked in place by a pair of trunnions that permit the barrel to raise and lower. The top of the turret is a large part with only one two-layer panel in the rear right added along with the sighting system's lenses that are installed from inside. This is mated to the bottom of the turret, after which the side panels and bustle are added to complete the main part of the turret's construction. The angled panels that bolster the armour of the turret's arrow-head front are installed next, and here there are were some quite significant sink-marks in previous boxings that seem to have been almost totally eradicated in this boxing. A bustle stowage box is created from a four-sided part with separate roof, glued to the rear of the turret, then the roof of the turret is festooned with various small parts, including antenna bases, armoured surrounds over the vision blocks, the new sight in front of the commander’s cupola, which utilises two parts cut from the clear sheet for its lenses front and rear. Another sighting turret is installed behind and to the left of the commander’s cupola, and the TV sensor box at the front is outfitted with its doors, which you can pose open by cutting the part in half and gluing it to the outer edges of the box. Lifting eyes and two crew access hatches are made and installed in open or closed positions, fixing the gunner's MG3 to the edge of his hatch. Triangular mesh baskets are made from four parts each and installed on the angled rear corners of the bustle, and these styrene parts would be prime candidates for replacement by aftermarket mesh to give a more realistic appearance. The smoke grenade launchers are fitted to each side of the turret just forward of the baskets, and these are made up from individual barrels attached to a rail with supports moulded in. To create the aerials, the instructions tell you to cut and heat up one end of two 75mm lengths of wire before plunging them into the aerial mounts that were added earlier in the build. Whether super-glue would be a less hazardous option is up to you. Just be careful you don't stab or burn yourself at any stage. It hurts. The turret can then be added to the hull by twisting it into place to lock the bayonet lugs under the turret-ring flange. A pair of rear-view mirrors are added to the front of the tank, and the last part of the build is to decide whether to lock the barrel to the rear for transport, or leave it free with the transport-lock stowed between the two large fan grilles, one of which has been left off until this point, possibly to ensure that the base of the travel-lock that is moulded into the grille is correctly lined up. Markings There are two decal options included on the sheet, both of which are painted in NATO green, brown and black camouflage. You can build one of the following from the box: PzBtl 104, Pfreimd, 2018 PzBtl 414, Bergen-Lohheide, 2019 Decals are by Cartograf, which is a guarantee of good registration, sharpness and colour density, with a thin matt carrier film cut close to the printed areas. Conclusion The Leopard 2 is an impressive and capable tank, and this kit should build up into a good rendition of it with a little care and attention to detail. Whether you want to replace the tracks or not depends on your priorities and budget, but the flexible tracks included are well-detailed for their type. Highly recommended. Carrera Revell model kits are available from all good toy and model retailers. For further information visit or
  18. Leopard 1 A1A1-A1A4 (05656) 1:35 Carrera Revell The Leopard Main Battle Tank (MBT) was designed in the mid-50s as an answer to a requirement by the newly reformed German Army to replace the outmoded American cast-off M47 and M48 tanks they had been using up until that point. It was based upon the premise that manoeuvrability and armament were more important than armour, as the rise of the HEAT round had rendered most standard rolled steel armour ineffective due to its massively increased penetrating capability. To make for a more agile target, the Leopard was designed to withstand 20mm rounds from all directions, weighing in at 30 tonnes, and with Nuclear, Biological, Chemical (NBC) protection to counter the Soviet hordes that they expected to be flooding across the border. Three design teams competed for the Tank contract from Porsche, Rheinmetall and Borgward. The Porsche prototype was eventually selected as the winner. Production was set up with Krauss-Maffei in Munich and deliveries began in late 1965. Provision was also made for bolt on Lexan armour, and it could carry the 120mm gun of the Leopard 2, even though this was never used. Export sales followed, and the Leopard 1 would go on to serve with the Armies of Belgium, Holland, Norway, Italy, Denmark, Australia, Canada, and Turkey. The A5 with Germany, Holland and Chile. The initial A1 variant reached service in the mid-60s carrying a NATO standard 105mm gun, then in the 1980s research was begun with a view to upgrading the tank, improving the turret to store more ammunition, and a more advanced fire control system was fitted to increase accuracy. An important upgrade to the A1A1 standard formed the basis of the A5 in the 80s, which with the benefit of retro-fitting, became the de facto standard Leopard 1 up until its replacement by the Leopard 2 in Bundeswehr service early in the new millennium. The Kit This is a new boxing of the 2015 tooling from Revell, as evidenced by the raised copyright details on the underside of the engine deck. It is a multi-version boxing, and arrives in a substantially oversized box as a gift-set, with enough room for another kit inside despite the extras, which seems a little wasteful of shipping space in our modern cost-conscious age. Inside the large top-opening box are ten sprues in grey styrene, a sprue and two track lengths in black flexible plastic, a 15cm length of metal wire (not pictured) taped to the colour instruction booklet, decal sheet, and profiles on the rear of the instructions for the four decal options that are included in this issue. The afore mentioned extras include six thumb pots of acrylic paint, a #2 paint brush, a 12.5ml bottle of Revell Contacta Professional cement with a needle applicator, and an A3 poster of the box art without all the frippery necessary for the packaging. It’s hard to photograph well, and there’s a thumbnail of it on the box top in case you can’t picture it. Detail is good, and it shows up better in grey styrene rather than the older green styrene Revell used to use, which was not only difficult to photograph well, but made it difficult to see too, as well as appearing a little old-fashioned. It’s an exterior kit, and offers the option to build the major variants, with traditional ‘rubber-band’ tracks that might deter some, and attract others. The cast texture on the mantlet and other parts is good, as is the Lexan armour that is applied to the turret sides, which has a fine waffle texture moulded-in, plus attachment bolts in recesses. Construction begins predictably with the lower hull, starting with the floor and adding the sidewalls that are supported by a bulkhead that slots into two grooves at around mid-way. The rear bulkhead is next, pointing out the detail painting of the moulded-in rear light clusters using letter codes that correspond to a table at the front of the booklet in Revell colour codes. Suspension details are added on both sides of the hull, including bump-stops, shock absorbers for the rear axles, and swing arms for all stations, locking in place on a keyed peg. The road wheels are made in pairs, fourteen road wheel assemblies, two idlers, plus four return-rollers on mounts higher on the hull sides. The road wheel pairs are slid onto the axles in groups of seven per side, plus the idler wheels at the front of the hull, then the drive sprockets are made from three layers ready to be fitted onto the hull with the tracks. Being of the rubber-band type, their ends are joined by threading the turrets at one end of the run through corresponding holes in the other end, then melting them flat into rivet-shapes with a hot screwdriver or similar item, turning them in a continuous band. One end of the loop is wrapped around the idler wheel, inserting the drive sprocket in the opposite end, and pushing the lengths over the road wheels, and gluing the sprocket into position at the rear. The upper hull is prepared by drilling out flashed-over holes in the front, three on the glacis plate, and two on each side ‘cheeks’ over the fender. While the part is inverted, the vision blocks for the driver are painted and pushed into their recesses in the forward deck, detail painting sensors over the fenders, and some filler caps on the engine deck. Detail inserts are applied to the sides of the hull once the two halves are mated, drilling a hole in each one before applying glue. Another small insert is fitted on the left side around the turret ring, then you have a choice of three styles of cooling grilles on the rear hull sides depending on which variant you are building, and for the A1A1 or A1A2 there is a tie-down at the rear that should be removed for some vehicles. The side skirts are fixed to the hull sides on small pegs, adding mudguards at the rear before the installation of detail parts begins, fitting lifting eyes, stowage boxes and pioneer tools on almost every surface. The rear bulkhead is adorned with towing eyes, shackles and a convoy shield light with cross decal, plus spare track links, and an equipment box on the top left. The towing cables are moulded in the same flexible black styrene as the tracks, and whether you use them is up to you, as you have separate styrene eyes for each end, so replacing them with cord or braided wire would be a simple task. The instructions show where they should be fitted, and their location as they snake toward the front of the vehicle, with arrows showing where the various tie-downs should be. More parts are added to the glacis, including light clusters, triangular blocks between the fenders and glacis, and a rack of cold-weather track grousers in three rows that mount on three pins. The driver’s hatch can be fitted opened or closed, although a figure would be needed to hide the empty interior, the location of the open hatch shown in a scrap diagram nearby. The turret upper begins as a hollow part, adding three vision blocks to the roof, then building the gun pivot from a hollow rectangle with pegs at each end, held in place by two trunnions in the lower turret. The vision blocks around the commander’s cupola are painted in, then the two halves of the turret are mated, adding detail parts and sensors on either side of the main gun on cylindrical projections, with open or closed covers possible using the same parts. The commander’s cupola and the gunner/loader’s hatches have top rails fitted, and a periscope is installed in front of the commander’s hatch. The gun barrel is provided in two vertically split halves, and has the cooling jacket and its straps moulded-in, inserting the keyed rear into the mantlet after drilling out several holes from within depending on which variant you are portraying. The completed assembly is glued to the box-shaped pivot to complete the basic structure, then additional details are layered over it in the next several steps, starting with a bustle stowage box with cylindrical tubes to each side, which is fitted to the rear of the turret, and covered with a back panel and tubular framed basket on each side, taking care to locate the ends to align the assemblies correctly. The crew hatches are both circular and made from two spaced layers, adding a central boss inside, both of which can be posed open or closed in their respective hatches, as per the accompanying diagrams on the following page. A canvas mantlet cover is fitted to the space at the front of the turret, adding lifting eyes to the top surface, then two racks of smoke grenade launchers on curved rails are made, glued to the turret sides, and surrounded by Lexan armour panels that cover the majority of the sides, adding two more panels to the bustle baskets, and a piece of appliqué armour to the mantlet with its own lifting eye. Various rails are added over the armour on the sides, and the gunner’s MG3 machine gun is fitted to a two-part pintle-mount, inserting the peg into the ring around his hatch, and aerial bases into a sockets near the rear of the turret roof. An TV camera is made from three parts and attached to the top of the mantlet for the A1A2 and A1A4 variants, mounting a three-part cage with a protective door to the front, while all variants have an Infrared night vision system in a box with the hatch posed open or closed, the open option involving cutting the hatch down the centre. It is mounted on the left side of the mantlet with a short frame supporting the front, and a thick cable leading back and into the turret at the corner. The completed turret is then lowered into the hull and twisted into position on a pair of bayonet lugs. The build isn’t quite over however, as there is a two-part travel lock applied to the rear bulkhead, which can be posed lowered for action or vertically to clasp the barrel while the turret is reversed for travel. The final two styrene parts are used to make the driver’s wing mirror that is mounted on the right fender at an angle, using a long or short support. You’ve probably forgotten about the piece of wire taped to the front of the instructions, but it has a use. Aerials of two lengths are cut depending on the variant, their ends warmed in a flame until they’re hot enough to melt plastic. Then they are inserted into the aerial bases, although I’d rather use super glue in case the plastic melts too freely. I have used wire and carbon rod for AFV aerials in the past, and would entreat you to be very careful when looking closely at your model, as the end is very sharp. If you’re clumsy like me, perhaps a dot of super glue forming a ball on the end could save your eyesight. Markings There are four decal options on the small sheet, but there are additional digits for number plates that permit you to build your own vehicle registrations. From the box you can build one of the following: Leopard 1 A1A1 (4. Baulos) PzBtl 24, Braunschweig 1977 Leopard 1 A1A2 (3. Baulos) JgBtl 511, Flensburg, 1988 Leopard 1 A1A3 (2. Baulos) PzBtl 354, Hammelburg, 1987 Leopard 1 A1A4 (2. Baulos) PzBtl 324, Hammelburg, 1987 Decals are by Cartograf, which is a guarantee of good registration, sharpness and colour density, with a thin matt carrier film cut close to the printed areas. Conclusion It’s a well-detailed exterior model of this important Cold War warrior, and while the flexible tracks may put off a few, it’s swings and roundabouts. There are plenty of variant options, and tons of number plate choices that should allow you to build a good replica of the first Leopard. Highly recommended. Carrera Revell model kits are available from all good toy and model retailers. For further information visit or
  19. With the Jet provost done and the other activities out of the way, it’s time to get back in the saddle and do some more modelling. For a bit of a mojo boost, I watched Top Gun, Top Gun Maverick and The Final Countdown on DVD’s. So tonight, out came the Airfix F-14A Tomcat (blueprint box) and the Revell F-14D Super Tomcat from the stash - both 1/72. I’m going to try to build them both together stage by stage (rather than build one and then the other). The Revell is better in detail as it’s a much later kit, but the Airfix one still has a certain charm to it - even with the raised panel lines which I’ve decided to leave to see how it turns out. So, the first stage was to build the two cockpit tubs. The Airfix one is much longer then the Revell and both have raised detailing in the some consoles in roughly the same depth. The ejection seats are worlds apart in detail, so I might see if I can 3D print something a little more interesting for the Airfix kit. Otherwise the offices are fairly well detailed considering….. Both tubs were painted with Tamiya XF-19 Light Grey (as it’s what I had to hand) and are drying off. They will both receive other colours to highlight the consoles and IP’s. I’ve also bought an extra set of Airfix F-14A decals which offers two options - TopHatters and the Black Aces - to go with the Bounty Hunter and Grim Reaper options for the kits.
  20. Having just started one build in the WWII Twins GB, why not start another one here? I'll be building a Luftwaffe-operated F-104G 23+92, construction number 683D-8102, in the colors of JaboG 34, out of this Revell kit (currently OOB, no extras.) According to 916-Starfighter.de this plane had its first flight on May 30, 1963 so it should be good to go. /Jari
  21. The Northrop F-89 Scorpion is an all weather twin-engined interceptor designed and produced by the American aircraft manufacturer Northrop. It was the first jet powered aircraft to be designed for the Interceptor role from the outset to enter service,as well as the first combat aircraft to be armed with air-to-air nuclear weapons in the form of the unguided Genie rocket. First flew in 1948 and entered service in 1950. For this GB, I plan to build Revell’s 1/72 F-89D/J kit. I will be finishing it as the aircraft shown on the boxart, a F-89D from 61st Fighter Interceptor Squadron from Ernest Harmon AFB, New Foundland, 1957. Why this one? I like the look of the aircraft with the large wingtip rocket pods (containing a 104 ‘mighty mouse’ FFAR rockets) and more importantly it has a big smiley face on it.
  22. Hi all, with my second build about to be wrapped up and a few weeks before the Baby Boomers GB starts I thought why not fit another kit in here whilst I'm on a hot streak. So I picked up the Revell rebox of Hasegawa's Hs 129 in 1/48. The main pull for me was the kit features decals for a Panzerknacker based in Libya and I'm yet to do a North African campaign luftwaffe build. Specifically this Henschel captured at Castel Benito airfield. Looking forward to it, thanks for looking in!
  23. BMW Z8 - 007 The World is not Enough (05662) 1:24 Carrera Revell The Z8 was a short-lived two-seat roadster that was produced from 1998 to 2003, designed as an homage to the 1950s era 507, to which it bears a striking resemblance. It started as a concept, and by 1996 there were sightings of prototypes, then in 1997 it made its debut at the Tokyo Motor Show as the Z07 in a more flamboyant form, toned down to a more practical style by launch, at which time it sported a removable metal roof that had been designed with the car, rather than as an afterthought. It was not a cheap vehicle, but BMW took the unusual step of guaranteeing spares supplies for 50 years, in the hope that it would go on to become a modern classic, thereby encouraging the super-rich collectors into the market. The interior was designed by Scott Lempert, with the intention of keeping it clean and uncluttered by making the controls multi-functional, reducing the driver’s workload. With a power output of 400bhp, it could rocket to 100km/h in 4 seconds, thanks in part to its all-aluminium construction, which included the spaceframe that was custom formed at a separate plant before being hand-finished at BMW’s Munich factory, with a total of over 5,700 built before production ended in 2002. It was replaced by the Alpina Roadster V8, which was toned down from the seat-of-your-pants style of the Z8, even down to the leather chosen for the seats, suspension, and the ease of a 5-speed automatic transmission, which gave it the feel of a Grand Tourer. The Z8’s image was etched into the minds of the cinema-going public when it was used in the James Bond film The World is not Enough, starring Pierce Brosnan as the eponymous 007, where it tore around the countryside before being cut in half lengthwise by a helicopter with an underslung set of multiple cutting wheels that cleaved his ride in two and stopped its roll completely. The Kit The copyright on the kit is 2000, which was the first time it was seen on the shelves of a model shop, when the car was still new, as was the film. This boxing arrives in a medium depth end-opening box, and inside are two sprues and a bodyshell in Revell’s usual light grey styrene, a sprue of chromed parts, a clear sprue, a bag of flexible black tyres, decal sheet and the instruction booklet that is printed in colour and has the decal profiles on the rear cover. Detail is good, and this is the only game in town at this scale. It is a kerbside model, with no engine, moulded-in doors, bonnet and boot panels that make for an easier build, while the alloy wheels and the underside are well detailed however, as is the dash and interior. As this is a special edition boxing related to the 007 film The World is not Enough, it also includes a set of six thumb-pots of acrylic paint, a #2 paint brush and a 12.5ml bottle of Revell’s Contacta Professional plastic cement, plus a folded A3 poster of the box art without the additional adornments necessary for the packaging, which is a little large and difficult to photograph, but a thumbnail of it can be seen on the box photo above. Construction begins with the two seats, which are moulded as individual units with separate back inserts that extends up to the headrest and side supports for the back cushions. The dash is a well-detailed moulding to which the steering column and chromed steering wheel are installed, with decals for the centrally mounted instrument binnacle and a choice of central bosses on the steering wheel. The door cards are fitted with grab-handles and are detail painted to match the rest of the interior, carrying that over to the cabin before applying six more decals to represent the smaller details. Foot pedals, gear shifter, handbrake and roll-over bars behind the head of each seat are installed, then the seats and dash are fitted into position, to be set aside while the rest of the underside is made. The wheels are first of the underpinnings to be built, each in pairs due to the size difference between the front and rear wheels. The tyres are moulded in a flexible black material, and have their centres filled with material out of the box, which must be cut away with a new #11 blade before you can install the two sides of the hubs, with the combined disc rotor and calliper acting as the pivot around which the wheel will rotate. The rear of the hub is blank, and should be painted the blackest black you possess, slipping it into the rear opening of the tyre, and slotting the rotor in through the hole. The front hub is well-moulded with five pairs of spokes, five studs in the centre, and a BMW logo decal applied to the centre. This might sound like a compromise, so I put a wheel together to test whether it would work, painting the interior ‘Black 4.0’ from Stuart Semple, and using his ‘Mirror’ for the brake disk. It looked good once it was put together, even though I didn’t bother with any preparation, primer or painting of the calliper. The rear axle is detail-painted and glued to a sub-frame along with two suspension mounts, dropping it into the rear of the floorpan, which is also detail-painted before the extensive twin-pipe exhaust system is laid over the underside, ending in custom-shaped back boxes. At the front, the steering arm is slipped through the suspension mechanism, trapping the suspension struts and stub-axles between the floorpan and the inner arches moulded into the interior. Staying at the front, but on the bodyshell, the front light reflectors are fitted from inside, moulded together by a carrier that keeps them in the correct orientation, installing the angled number plate holder under the grille, then following up with the clear lenses, and two chromed grille inserts that have circular fog lights embedded in the outer ends. The detail inserts in the front wings are also chromed, and are slipped into position from inside the bodyshell, then the clear windscreen is fixed on a pair of tabs in the front of the cab cut-out, adding a pair of windscreen wipers to the lower outer edge, and a combined rear view mirror and sun visor part is inserted into the top frame on a peg. The bodyshell is then lowered into position on four turrets, fitting the rear valance and two chromed exhaust pipes, one on either side after installation. The wing mirror housings are chromed, as are the mirror parts, one for each door, and a chromed door handle is inserted into the depression in each panel. The wheels are brought in and glued into position by applying glue sparingly to the centre disc part and avoiding the outer portion of the hub if you wish to rotate the wheels at any point. The final option is posing the roof up or down, with this boxing supplied with a cloth roof that can be shown stowed away by using a C-shaped styrene part at the rear of the cabin cut-out. The deployed hood is a single clear part with the integrated rear screen the only part that remains clear. The part that is intended to be the canvas hood is quite smooth, and would benefit from some stippling with glue or primer to give it a more fabric-like texture, and there are also a few ejector-pin marks on the inner face that you may want to deal with if you think they’ll be seen. Markings This is a special edition representing the movie car, so only one option is included in silver. From the box you can build the following: Decals are by Cartograf, which is a guarantee of good registration, sharpness and colour density, with a thin gloss carrier film cut close to the printed areas. Conclusion The Z8 was an attractive car with a significant claim to fame. This kit is a good kerbside model of the type, and if you can find a 1:24 3D printed Pierce Brosnan figure to put in the driver’s seat or stand next to it, you’ll have an interesting addition to your display cabinet. Highly recommended. Carrera Revell model kits are available from all good toy and model retailers. For further information visit or
  24. Hi, Here's my Revell F-84E with Aeromaster decals. That 86th FBW must have been quite a sight, I hope to reproduce a little of that magic. After years of looking for the F-84E and only seeing F-84G's, I finally found several last year at a modelling festival and from an estate sale. The one from the estate sale (a modeller named Jean-Claude of the Amay Models Club) had a bit of work done on it. He removed what looks like external reinforcement plates around the Main Landing Gear wells. I've circled the areas in red on the picture below. The shape of the ones in front of the wells reminded me a bit of the compressibility flaps on late P-38's and I noticed that there was a stencil with quite a bit of text on them. Stencils 40 and 41 on the Revell kit sheet. Fearing that the stencil might mean "stay away from this flap!" I looked at it with a magnifier. The stencil is about electrical plugs. I plan to use Jean-Claude's lower wings on this build as this will be the earliest F-84E that I'd want to build and thus the best one to do without external reinforcements. Cheers, Stefan.
  25. Hi guys, my first kit finished this year, and my first post here on Britmodeller. This is a Revell kit with some scratches to make it look more like the real thing. I will explain each of these changes better in the photos below. For the paint, I found a lot of paint schemes for these shelters, so I took one from reference and make only a few changes. The Kit: Revell 1/72 Shelter and ground plate I thought the dome was not very stable so as a first step I reinforced it. There were many ejection marks as well to cover. The shape of the kit is very far from the real thing, so I superimposed a photo of the piece in photoshop with the photo of the real shelter, printed it out and used it as a template to make a new facade with a 5mm sheet of styrene. The dome of the shelter is warped so it was necessary to hold it in shape with tape. I tried soaking it in hot water to get the right shape, but I wasn't successful. The solution I found was to put some nails in the base to hold the dome in the right shape. The kit is very poor in details, so I wanted to do some to make it more interesting. Scribbed some panel lines scratch those boxes added some wires and some interior stuff for the front lowering I used zipaline and kombifiller for the painting I made a mixture of paints to try to match the tone of the reference photos
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