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ben_m

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ben_m last won the day on August 8 2013

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About ben_m

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    Oxford
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    British photo reconnaissance at the beginning of WW2.

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  1. ben_m

    Its a glossy day

    The matting agent in the rattle can may have separated out, was it shaken for a couple of minutes? Also coats have to be light to be really Matt.
  2. ben_m

    Gluing PE

    I use super glue (or solder if strength is needed)- and use both methods the same- hold the parts in the right position before applying the glue/solder, then then is no need for repositioning time.
  3. Really nice! I'd like to build a recon one; I think they operated England in autumn 1944? What are the I retesting things under the wings? Look like parachutes on the front? Some sort of aerial mine?
  4. Definitely agree wifs can get mojo back- you can't obsess over getting the details right, as it didn't exist at all, so things move forward faster. Same for doing sci-fi or fantasy modelling.
  5. Interesting that the gunsight has a reflector panel- I thought most just used the inner surface of the windscreen.
  6. As I noted earlier, I don't think the ceiling altitude of the X was greater than the XI, as this is dictated by the engine. High altitude was certainly not a new operating environment to strategic PR missions at this point; the 36" lens having been established as the tool of the trade. Their altitude was there main defence against interception. The introduction of the higher altitude XIX was sped up due to interceptions of XI by Me 163, which could climb faster than anything seen before. As the unpressurised XIX was contemporary with the X, and the Griffon did allow for a higher ce
  7. To expand on my dirt theory- the panel above the chin, under the exhausts, looks like it has recently been cleaned- the exhaust staining on the panel over the top of the nose (above exhausts) is strong, but stops in a hard edge along the panel line, suggesting the panel was cleaned off the aircraft. And the intake under the chin still looks the same colour as the upper to me.
  8. Sorry for the confusion Graham, my post above was referring to Peter's comment at the top of this post- I should have quoted it for clarity. Any association of the X with pink scheme was always nonsensical. I was meaning that the X wouldn't have been seen as a (especially) high altitude PR type, so I don't see them thinking it needs a special colour scheme.
  9. Just thinking of the 'high altitude' comments: I don't think the X was designed/used at greater altitude than the XI; the engine dictated the ceiling. Pressurisation was to increase comfort and physiological performance of the pilot.
  10. I'm not sure I agree with the ms grey over pru blue scheme interpretation. Pilots' recollections are not flawless. The carb intake looks same colour as top surface to me. The chin panel does look darker, but could easily be due to dirt. The MSG over PRU blue scheme might be a mis-recollection of the mk.XIX postwar scheme (which has a high demarcation on the fuselage).
  11. I think it depends on scale- at 1/32 and 1/24, I would expect it as optional, but it should be engineered so that it doesn't make extra challenges to building a closed up version (no tricky gaps, etc). Would be to have two versions of kits- one with extra sprue for internals and photo etch, one cheaper without. I'm think of kits like 1/32 tamiya spitfire- would be great to have a cheaper version without engine.
  12. Sorry Andy, I mistook you saying "two images taken so close together" to refer to the two camera positions, instead of in time. I don't know what a typical interval was (it is calculated by altitude, field of view camera- dependent on the focal length and the film size- and ground speed), but the type 35 camera controller (I'm looking at the one I have on my desk here at work) goes from 2 second to 51 second intervals. I guess it couldn't go shorter than 2 seconds due to the film transport and shutter recocking time I wonder whether this minimum interval ever became a l
  13. Andy: You cannot get a stereo pair from aerial cameras with exposures taken at the same time- the cameras have to be much further apart. As the aircraft is moving, this is achieved by time. This page has a nice diagram. https://www.stereoscopy.com/faq/aerial.html Graham: Yes, all tracks for stereo were taken with interval timings. They set the timer to achieve a 60% overlap with the previous frame, so that any area of any given frame could be viewed in stereo when combined with either the next frame or the previous one.
  14. The split verticals were to give greater coverage (width of track covered), not to create a stereo effect. Two lenses inches apart don't create a stereo pair when you are 5 miles from the subject.
  15. Good to see that there are good acrylic matches for these colours. I used the white ensign enamels recommend earlier, and they took days to dry. Note all but the last two posts in this thread are from 2010.
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